{"id":1720,"date":"2021-07-25T14:20:31","date_gmt":"2021-07-25T14:20:31","guid":{"rendered":"https:\/\/lscusd.id\/?page_id=1720"},"modified":"2021-10-09T18:36:45","modified_gmt":"2021-10-09T18:36:45","slug":"accepted-titles","status":"publish","type":"page","link":"https:\/\/lscusd.id\/index.php\/accepted-titles\/","title":{"rendered":"Accepted Titles"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"1720\" class=\"elementor elementor-1720\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-c526624 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"c526624\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-589ada5\" data-id=\"589ada5\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-d0c4009 elementor-widget elementor-widget-text-editor\" data-id=\"d0c4009\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h1>Accepted Titles<\/h1><p><b>We are happy to announce the accepted titles to present on the conference days. \ud83d\ude42\u00a0<\/b><\/p><table class=\"MsoTableGrid\" style=\"border-collapse: collapse; border: initial none initial;\" border=\"1\" cellspacing=\"0\" cellpadding=\"0\"><tbody><tr style=\"mso-yfti-irow: 0; mso-yfti-firstrow: yes; height: 15.75pt;\"><td style=\"width: 153.75pt; border-width: 1pt; border-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><h5 style=\"margin-bottom: 0cm; text-align: center; line-height: normal;\"><b>Authors and Collaborators<\/b><\/h5><\/td><td style=\"width: 254.75pt; border-top-width: 1pt; border-right-width: 1pt; border-bottom-width: 1pt; border-top-color: windowtext; border-right-color: windowtext; border-bottom-color: windowtext; border-left: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><h5 style=\"margin-bottom: 0cm; text-align: center; line-height: normal;\"><b>Abstract Titles<\/b><\/h5><\/td><\/tr><tr style=\"mso-yfti-irow: 1; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Aaron Philip M. dela Cruz<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">The Phallus and the Gallus: Interactions between Human &amp; Chicken Sexualities in Antonio Hidalgo\u2019s Cockfighting Stories<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 2; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Akhmad Jauhari,<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Tokoh Pergerakan Politik dalam Novel Arok Dedes, 1984, Sitti Nurbaya, dan Smaradharmayu<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 3; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Alifa Syauqina Mori<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">The Voiceless Bodies: Narration of Female Figures in Heart of Darkness<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 4; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Andi Isti Nadiah<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Marriage and Succession: The Anxiety of Queen Elizabeth I<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 5; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Andy Jefferson Sabur and Retno Purwani Sari<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Focalization-Narrator Effect on Perceived Likability And Villainy in Kepnes\u2019s \u201cYou: A Novel\u201d<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 6; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Angelika Riyandari<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Women in Mangunwijaya\u2019s Trilogy of Rara Mendut<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 7; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Anna Elfira Prabandari Assa<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">The Narrative of Indonesian Culture in Bahan Bacaan Literasi 2019 of Badan Bahasa dan Room to Read\u2019s Picture Books<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 8; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Arif Rohman Hakim and Suma Riella Rusdiarti<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Becoming-Anime through Adaptation Sword Art Online<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 9; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Benedicta Stella Fortunae and Susanne Andrea H. Sitohang<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Literature and Finding Identity: \u201cReading\u201d Ali dan Ratu-Ratu Queens (2021)<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 10; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Bernadhetta Roselita Anggorosari<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Improving Thinking and Soft Skills of Learners by Integrating Literature Programs into Language Classes<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 11; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Boy Ertanto<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Contested Spaces: Entanglement of Chinese Migration, Gender Discrimination, and Colonial Resistance in\u00a0 Olivia Ho\u2019s Working Woman<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 12; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Catharina Brameswari, Tatang Iskarna, and Monica Angela Nadine Titaley<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">The Effects of Colonialism toward The Timorese as Depicted in Nesi\u2019s Orang-Orang Oetimu<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 13; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Catharina Brameswari, Theresia Enny Anggraini, Almira Ghassani Shabrina Romala, and Nathaniel Alvino Risa Prima<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">UAP Values Reflected in Selected Covid-19 Themed Digital Literature for Children and Young Adults<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 14; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Davinna Anggita Putri Zulkarnain<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Separation Between Constance &#8220;Connie&#8221; Chatterley&#8217;s Identities in Lady Chatterley&#8217;s Lover<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 15; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Dewi Widyastuti,<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Learners Who Write:\u00a0 Benefits of Creative Writing in EFL Context<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 16; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Dina Novita Tuasuun,<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Cerita Anak sebagai Sarana Pedagogis-Teologis bagi Orang Dewasa dalam Buku Renungan\u00a0 Seri Selamat<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 17; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Ari J. Adipurwawidjana<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Contagion and Virality: The Pandemic Spread of Narratives of Dis-\/Unease<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 18; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Felicidad P. Galang-Perena<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Literature and Travel Writing<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 19; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Hary Susanto, S.J.<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Literature, Religion and Myth &#8211; Religious Myth in Mircea Eliade&#8217;s View<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 20; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Ni Komang Arie Suwastini and Luh Shanti Nilayam Mihira<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Ambivalent Gender Deconstruction Reflected in EFL Textbooks for Eleventh Grade of Indonesian Senior High School<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 21; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Ni Komang Arie Suwastini and Ni Kadek Citrawati<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Junior High School&#8217;s EFL Teachers&#8217; Reading Habits and Literacy Practices<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 22; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Sylvie Meiliana<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">A Potensial of Literature To Mirror History<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 23; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Tri Pramesti MS, Adeline Grace M. Litaay,Milenia Fransisca C., and Berya Kamayan<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Multiple Forms of Oppression for Women In Muna Masyari\u2019s Damar Kambang and Khaled Hosseini\u2019s A Thousands Splendid Sun<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 24; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Dwi Firli Ashari, Ahmad Al Amin Putra, Hafiz Priyansyah, Muhammad Ilham Nurul Karim<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Konstruksi Islam Dalam Cerita Nyai Dasima Karya S. M. Ardan dan G. Francis<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 25; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Epata Puji Astuti<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Colonial Representation of Caribbean in Rosaline Bacchus\u2019 Haiku Poems<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 26; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Faizzah Shabrina Zhafirah<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Discrimination and Prejudice towards Woman in Ali Smith&#8217;s Seasonal Quartet<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 27; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Ghina Syahirah Sanusi and Marcela Winda Widyanata<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Feedbacks Comparison about Unusual Gender Behavior Stereotypes Among Women and Men in Bilingual Language<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 28; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Gusti Putu Rustika Dewi and Ni Komang Arie Suwastini<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Students&#8217; Perception of The Use of Poetry to Teach Speaking<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 29; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Helena Faustina Trisunjata, Natasya Faskadhini, and Elfrisa Rismonita<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">How and Why Men and Women Speak Differently: A Case Study from Indonesian Speakers in Mataram, Palangkaraya, and Temanggung<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 30; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Henny Indarwaty<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Mothers as cultural Intermediaries in the market of Children\u2019s Literature<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 31; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Henrikus Joko Yulianto<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Animal Genome Poetics in Post-Beat Poems of Michael McClure&#8217;s on Organism &amp; Lenore Kandel&#8217;s &#8220;Beast Parade&#8221;: Re-viewing Today&#8217;s Human and Animal Kindred Interrelationship<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 32; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Heri Samtani\u00a0 and Suma Riella Rusdiarti<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Isu Lingkungan dan Perempuan dalam Serial Animasi Avatar: The Last Airbender<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 33; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Hermawan Adi Prasetya<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Revealing Orientalism and Occidentalism in Avatar: Na\u2019vi Conquest through Its Dicourses<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 34; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Hermina Sutami<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Ina&#8217;s Love Journey with Sinyo Brandi<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 35; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Ida Ayu Eka Vania Cahya Nita<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Neo-colonial Economies in Jamaica Kincaid\u2019s A Small Place and Bali<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 36; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Ida Bagus Putra Yadnya<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Implications of the Translation Strategy on Cultural Lexical Equivalence in Literary Translation<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 37; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Indah Fajaria<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Woman\u2019s Movements through Social Media: Feminist Activism on Instagram<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 38; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Indiwara Pandu Widyaningrum<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">The Ambivalence of Indonesia in The Aftermath of Colonization<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 39; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Jamelle Frances A. Realin<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">American Dreaming: A Postcolonial Reading of America Is Not the Heart<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 40; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Jan Raen Carlo M. Ledesma and Gian Carlo M. Ledesma<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Reinforcing and Repulsing the Stages of Life\u2019s Way: A Kierkegaardian Reading of Philip Roth\u2019s Sabbath\u2019s Theater<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 41; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Jennet Senawati and Ni Komang Arie Suwastini<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Reading Aloud for Improving Children Soft Skill<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 42; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Jesica Vanessa Hutapea, Ni Komang Arie Suwastini, and Ni Nyoman Artini<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Embroidering Femininity on Marlin&#8217;s Parenting Life<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 43; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Joseph P. Casibual Jr.<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Projecting the Cinema: Discoursing Mass Culture and Gender Politics in Manuel Puig\u2019s Narratives<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 44; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Josephine Kumala<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">The Translation Strategies and Readability of Local Terms Applied in the Laskar Pelangi Translation<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 45; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Juanda<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Behavior Restrictions in Customs in Pasundan<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 46; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Kim A. Pillado<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Women&#8217;s Struggle, Patriarchy&#8217;s Menace: A Political Phenomenon<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 47; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Laura Creekmore<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Oral Narratives, Historical Fiction, and the Construction of History<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 48; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Lestari Manggong<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">John Lithgow&#8217;s Trumpty Dumpty Wanted a Crown as Political Satire<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 49; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Luh Putu Karina Febriyanti Aryawan and Ni Komang Arie Suwastini<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">\u00a0EFL Students&#8217; Perception of The Use of Poetry as Teaching Media to Teach Reading<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 50; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Maria Christina A. Pangan<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Pasalin-salin Lang: A Preliminary Study on the Philippine Translation Industry<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 51; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Miss Regie P. Amamio<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Semiotics of Wandering Blade: Warrior&#8217;s Soul from Manga to Film<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 52; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Miyata Diva<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Representation of Cultural Contracts in Kidd&#8217;s The Secret Life of Bees<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 53; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Mr. Mark Louie Tabunan<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Interrogating the Bagong Bayani Discourse in Jose Dalisay&#8217;s Soledad Sister<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 54; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Muhamad Fauzan Setyawan and Aslamiyati<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">The Application of Vladimir Propp&#8217;s Character Theory Towards Maleficent Character<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 55; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Muhammad Adam<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Examining Metaphor in Literary Text with Clic Dickens Concordance Tool<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 56; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Nabila Lismawati and Saffanah Ramadhania Zulfilgar<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">The Reconstructed Portrayal of Feminism Through Heroine Action in Film<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 57; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Natan Setiawan Gultom S.I.P.<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Reading Shusaku Endo\u2019s Silence with Postcolonial Biblical Lens<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 58; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Nathaniel Alvino Risa Prima<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Cambodian Resistance towards American Anarchy: A Postcolonial Interrogation of Political Reality in Luong Ung\u2019s First They Killed My Father<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 59; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Ni Kadek Citrawati and Ni Komang Arie Suwastini<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Junior High School EFL Teachers&#8217; Literacy Practices<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 60; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Nikolas Kristiyanto S.J,<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Text As a Tool for Maintaining Political and Religious Power in 1-2 Chronicles<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 61; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Nur Hasanah and Achmad Munjid,<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">A Girardian Reading of Colson Whitehead\u2019s\u00a0 The Underground Railroad<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 62; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Ovi Oktaviani and Mia Fitria Agustina<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Children&#8217;s Story for Creating Non-Racist Generation in Stockett&#8217;s The Help: A Psychoanalysis Study<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 63; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Prayudias Margawati<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Literary Appreciation: A Media Implanted Character Values to High School Students<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 64; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Priandini Melania<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">The Othering of Women in Pygmalion<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 65; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Christine Veloso Lao<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Ethos in the Courtroom Poems of Simeon Dumdum, Jr.<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 66; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Wiyatmi, Else Liliani, and Esti Swatika Sari<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Literature Learning with A Feminist Perspective Nusantara to Grow Gender Justice Awareness In Universities<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 67; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Putu Rahmayantiand Ni Komang Arie Suwastini<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">EFL Student-Teachers\u2019 Perception toward Teaching English Vocabulary Through Poetry<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 68; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Regina Via G. Garcia<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Lust for Power: The humanistic universality of ambition in Macbeth<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 69; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Rr. Arielia Yustisiana<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Stages of Grief in Maya Angelou&#8217;s &#8220;When Great Trees Fall&#8221;<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 70; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Shara Rose Virgini B. Olaya-Dionaldo<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Freedom and Power as Constructed in Ray Bradsbury\u2019s Fahrenheit 451<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 71; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Sharmaine V. Hernandez<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Daluyan: An Ecofeminist Pedagogy for Online Learning<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 72; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Siegfrieda Alberti Shinta Mursita Putri<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Children\u2019s Stories in Teaching Translation:\u00a0 A Classroom Observation<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 73; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Sisi Rosida<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Analisis Semiotika Poster The King Of Lip Service Presiden Joko Widodo<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 74; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Stasya Yovela<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Anita Desai\u2019s Fasting, Feasting: The Different Presentations of Contagion<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 75; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Susanne A. H. Sitohang and Ely Vera Charti<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">30 September 1965 through Indonesian Short Stories<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 76; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Tiara Candra Oktaviani and Epata Puji Astuti<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Stigma and Subjectivity of Albino in Neema Komba\u2019s I Am Not My Skin<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 77; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Tiara Despitasari, A.md.li and Thafhan Muwaffaq<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Anime Scenes Soundtrack: Semiotic and Perceptual Cues for Film Comprehension<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 78; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Wabilia Husnah<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Perempuan Pekerja Seks Komersial Dalam Novel: Perspektif Feminist Legal Theory<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 79; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">William Nathanael Tarihoran, Natasya Difa Lubis, and Billiam Susanto<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">A Study of Directness in Male and Female Sellers and Buyers\u2019 Ngapak Dialect in Randudongkal<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 80; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Wilzen D. Bermoy<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Campus Graffiti as Verbal Folklore of Schoolchildren: Features, Functions and Areas of Interest in Education<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 81; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Yohannes Bramanda Ryan Kharisma<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Screwtape&#8217;s Temptation and Christian Concept of Hell as Depicted in C.S. Lewis&#8217; The Screwtape Letters<\/p><\/td><\/tr><tr style=\"mso-yfti-irow: 82; mso-yfti-lastrow: yes; height: 15.75pt;\"><td style=\"width: 153.75pt; border-right-width: 1pt; border-bottom-width: 1pt; border-left-width: 1pt; border-right-color: windowtext; border-bottom-color: windowtext; border-left-color: windowtext; border-top: none; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"205\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Yoseph Bavo Agung Prasaja and Calista Alda<\/p><\/td><td style=\"width: 254.75pt; border-top: none; border-left: none; border-bottom-width: 1pt; border-bottom-color: windowtext; border-right-width: 1pt; border-right-color: windowtext; padding: 0cm 5.4pt; height: 15.75pt;\" valign=\"top\" nowrap=\"nowrap\" width=\"340\"><p class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\">Cultural Activities as Psychopathological Therapy: A Case Study Of Performance Arts Of Plunturan Villagers, Pulung, Ponorogo<\/p><\/td><\/tr><\/tbody><\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-1ec0a38 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"1ec0a38\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-65db18a\" data-id=\"65db18a\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-b645599 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"b645599\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-5bdd9fb elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"5bdd9fb\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-531fcb5\" data-id=\"531fcb5\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div 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