{"id":4865,"date":"2025-05-16T04:26:20","date_gmt":"2025-05-16T04:26:20","guid":{"rendered":"https:\/\/lscusd.id\/?page_id=4865"},"modified":"2025-05-16T05:33:38","modified_gmt":"2025-05-16T05:33:38","slug":"acceptedabstracts2025","status":"publish","type":"page","link":"https:\/\/lscusd.id\/index.php\/acceptedabstracts2025\/","title":{"rendered":"LSC & ASLE-ASEAN Ecocritical Conference Accepted Abstracts"},"content":{"rendered":"\t\t
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LSC & ASLE-ASEAN Ecocritical Conference
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INDIVIDUAL PRESENTATIONS<\/span><\/strong><\/h3>

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Corresponding Author<\/strong><\/th>Affiliation (Institution\/City\/Country)<\/strong><\/th>Abstract Title<\/strong><\/th>\n<\/tr>\n<\/thead>\n
Agatha Faye J. Buensalida<\/td>Santa Maria, Bulacan, Philippines<\/td>When the Apocalypse Howled: The Woman-Animal Relationship in the Time of Climate Change and Genocide Through Poetry<\/td>\n<\/tr>\n
Agnes Anggraeni Yanuar<\/td>Sanata Dharma University, Yogyakarta, Indonesia<\/td>The Influence of Climate Change on Racial Exploitation Against Indigenous People in Cherie Dimaline\u2019s The Marrow Thieves<\/td>\n<\/tr>\n
Ahmad Abdul Karim<\/td>Universitas Negeri Malang<\/td>Women, Nature, and Power: An Ecofeminist Study of the Folklore of Nyi Mas Ratu Ayu from Karawang<\/td>\n<\/tr>\n
Albi Fathurahman<\/td>Universitas Padjajaran<\/td>Postcolonial Ecocriticism Based on Anthropomorphism in the Novel Tanah Tabu by Anindita S. Thayf<\/td>\n<\/tr>\n
Alexandra A. Bichara<\/td>University of the Philippines Diliman, Quezon City, Philippines<\/td>Unsettling Identity: Nonhuman Becomings in Clarissa Militante’s State of Happiness (2022)<\/td>\n<\/tr>\n
Almira Ghassani Shabrina Romala, <\/td>Universitas Sanata Dharma, Yogyakarta, Indonesia<\/td>Translation Ideology and Strategies in Rendering Cultural Words in Selected Children’s Environmental Storybooks: An Ecotranslatological Perspective<\/td>\n<\/tr>\n
Anand AS<\/td>Vellore Institute of Technology<\/td>Ethical Dimensions of Emotional Spaces in Universal Aesthetics: A Tell Tale of Water, the life force in Indian Aesthetics<\/td>\n<\/tr>\n
Anesya Brilliana Maryadi<\/td>Universitas Sanata Dharma, Yogyakarta, Indonesia<\/td>The Concerns Towards Environmental Situation as Expressed in Students’ Creative Writing<\/td>\n<\/tr>\n
Angel Mae B. Arnaiz <\/td>Mindanao State University, General Santos City, Philippines <\/td>Preserving the Hills: Ecocultural Identity of the Tboli Upland Farmers Amidst Climate Change<\/td>\n<\/tr>\n
Arga Dara Ramadhani<\/td>Universitas Indonesia, Depok, Indonesia<\/td>Relasi Manusia dan Alam dalam Cerpen “Ama Tewo” Karya Silvester Petara Hurit (2024)<\/td>\n<\/tr>\n
Asima Gogoi <\/td>Namrup College, Namrup, Assam, India <\/td>\u201cImages of Hope for Our Troubled Times\u201d: Ecospiritual Imaginaries and Multispecies Kinship in Swarnalatha Rangarajan\u2019s Final Instructions: ANovel<\/td>\n<\/tr>\n
Assoc. Prof., Ph.D. Nguyen Viet Hung<\/td>Hanoi National University of Education, Hanoi, Vietnam<\/td>FOREST SYMBOLISM IN THE RELATIONSHIP BETWEEN NATURE AND CULTURE: A STUDY IN THE ORAL TRADITIONS OF ETHNIC GROUPS IN THE CENTRAL HIGHLANDS OF VIETNAM<\/td>\n<\/tr>\n
Augusto Xavier Ledesma<\/td>University of the Philippines, Diliman, Philippines<\/td>Surviving on the Wind\u2019s Breath: Notes Toward an Ecological Reading of The Legend of Zelda: Breath of the Wild<\/td>\n<\/tr>\n
Benedicta Angie Azaria Prasetyo Rahayu<\/td>Universitas Gadjah Mada, Yogyakarta, Indonesia<\/td>Perceiving the Monsters’ Portrayal of Scottish Kelpie and Indonesian Baru Klinthing Folklores Through the Lens of Second-Wave Ecocriticism<\/td>\n<\/tr>\n
Bratati Barik<\/td>VIDYASAGAR COLLEGE, KOLKATA, INDIA<\/td>Postmodern Ecocriticism: A Perspective of Transnational Visions<\/td>\n<\/tr>\n
Cajimat, Richpearl Kaye A. & Yacas, Michael Y.<\/td>University of Northern Philippines, Vigan City, Philippines<\/td>SOLARPUNK TEXTS: EXPLORING STUDENTS\u2019 ECOCRITICAL THINKING THROUGH CRITICAL INQUIRY<\/td>\n<\/tr>\n
Carmel Bernadette R. Poblete<\/td>Mindanao State University \u2013 General Santos, General Santos City, Philippines<\/td>The Sentient Green: Rethinking Plant Personhood in Literary Narratives<\/td>\n<\/tr>\n
Catherine Diamond<\/td>Soochow University, Taipei, Taiwan<\/td>Singapore and its Island Alter-ego in Recent Ecoperformances<\/td>\n<\/tr>\n
Catherine Monica<\/td>Universitas Sanata Dharma<\/td>Ecofeminist Readings of Ronggeng Dukuh Paruk and Lawino<\/td>\n<\/tr>\n
Celine Nugrahani Prabowo<\/td>Sanata Dharma University, Yogyakarta, Indonesia<\/td>Kinipan: Silenced Resistance of the Dayak Tomun Amid the Collapse of Nature<\/td>\n<\/tr>\n
Chitra Sankaran<\/td>National University of Singapore, Singapore<\/td>The Underside of Humanism: Human-Nature Relations Gone Wrong: An Analysis of Some Southeast Asian Fictions<\/td>\n<\/tr>\n
Christa I. De La Cruz<\/td>De La Salle University, Manila, Philippines<\/td>D\u00e1yo: Poetics of Travel and Tourism in the Anthropocene<\/td>\n<\/tr>\n
Desri Maria Sumbayak<\/td>Universitas Sumatera Utara <\/td>Khairani Barokka\u2019s \u201cextraction rumination, in the words of the lithosphere\u201d: Neo-Colonisation, Palm Oil Expansion and the Loss of Humans\u2019 Lives<\/td>\n<\/tr>\n
Donny Syofyan<\/td>Universitas Andalas<\/td>We are the leftovers”: Legacies of Ecological Destruction in Tim Winton’s Juice<\/td>\n<\/tr>\n
Dr. I.G.N. Anom Maruta, M.M.<\/td>Universitas 17 Agustus 1945 Surabaya<\/td>ANTHROPOCENE CHARACTER BUILDING OF \u201cKITAB AMBYO\u201d READING IN BEDINGIN PONOROGO<\/td>\n<\/tr>\n
Dr. Panchali Bhattacharya<\/td>National Institute of Technlogy Silchar, Assam, India<\/td>Anthropocene Water(s): Hydro-Politics and Water Injustice in Contemporary Pakistani Fiction<\/td>\n<\/tr>\n
Dr. Pham Vu Lan Anh <\/td>Vietnam<\/td>Scorching Sunlight and Fine Dust: Narrative about internal migrants in Vietnam urban areas <\/td>\n<\/tr>\n
Dr. Tania Roy<\/td>Department of English, Literature and Theatre Studies, National University of Singapore<\/td>The Inheritance of Indigeneity in Hansda Sowvendra Shekhar\u2019s Garden of Queer Pain<\/td>\n<\/tr>\n
Elaine L. Monserate <\/td>University of the Philippines Visayas, Iloilo City, Philippines<\/td>Residual Ma-aram Subjectivity: Ecofeminist Resistance and Indigenous Spirituality in the Fiction of Alice Tan Gonzales<\/td>\n<\/tr>\n
Elisabeth Kivana Damayanti<\/td>Universitas Gadjah Mada, Yogyakarta, Indonesia<\/td>Reimagining Nyai Rara Kidul: Environmental Values in the Folklore and Rituals of Karangbolong Beach<\/td>\n<\/tr>\n
Elisha Camille B. Catimpo<\/td>Ateneo de Manila University, Quezon City, Philippines<\/td>Komiks and Collective Action: A Marxist Review of ’10 Years to Save the World,’ a Comics Anthology in Response to the Climate Crisis<\/td>\n<\/tr>\n
Elvis A. Galasinao, Jr.<\/td>De La Salle University, Philippines<\/td>Monsters of Us All: The Monster-Human in Barbara Jane Reyes\u2019s Diwata<\/td>\n<\/tr>\n
Eventus Ombri Kaho<\/td>Sanata Dharma University, Yogyakarta, Indonesia<\/td>FOOD ESTATE IN MERAUKE: CAN INDIGENOUS PEOPLE SPEAK<\/td>\n<\/tr>\n
Famala Eka Sanhadi Rahayu<\/td>Universitas Mulawarman, Samarinda, Indonesia<\/td>Green Narratives or Greenwashing? A Comparative Ecological Discourse Analysis of IKN<\/td>\n<\/tr>\n
Fitrilya Anjarsari<\/td>Universitas Gadjah Mada, Yogyakarta, Indonesia<\/td>Recalibrating Conflated Paradigms of Posthumanism and Ecocriticism: A Perspective of Quantum Entanglement<\/td>\n<\/tr>\n
Florencia<\/td>Universitas Padjadjaran, Jatinangor, Indonesia.<\/td>Plants vs Horrors: A Phyto-criticism of Plants in Indonesian Horror Cinemas<\/td>\n<\/tr>\n
Gayatri Thanu Pillai<\/td>National University of Singapore<\/td>Reimagining Ecocritical Pedagogies for the Future<\/td>\n<\/tr>\n
Hawasi <\/td>Gunadarma University, Jakarta, Indonesia <\/td>Ecofeminism Reading on Iwan Fals’ Ecological Protest Songs towards Economic Based Developmentalism Project in Indonesia<\/td>\n<\/tr>\n
Hazel Ann Cesa<\/td>University of San Carlos<\/td>Gendered Vulnerabilities and Care: An Ecolinguistic Study of Creative Nonfiction on Disaster by Women Writers from the Philippines<\/td>\n<\/tr>\n
Henrikus Joko Yulianto, M.Hum., Ph.D<\/td>State University of Semarang (Unnes), Central Java, Indonesia<\/td>PETRODYSTOPIA IN CONTEMPORARY INDONESIAN AND WESTERN POETRY: A SOCIAL-ECOLOGICAL VISION IN THE POSTHUMANIST ERA<\/td>\n<\/tr>\n
Hope Sabanpan Yu<\/td>University of San Carlos, Cebu City, Philippines<\/td>Verses of the Earth: Exploring Climate Change Through Cebuano Poetry<\/td>\n<\/tr>\n
Hsinya Huang<\/td>DIstinguished Professor of American and Comparative Literature, National Sun Yat-sen University, Taiwan<\/td>Islands of Resistance: Indigenous Feminisms and Climate Justice Across Oceans<\/td>\n<\/tr>\n
Hugo Sistha Prabangkara<\/td>Program Doktor Kajian Seni dan Masyarakat, Universitas Sanata Dharma Yogyakarta<\/td>The Empire of Flavour: Indomie and the Gastropolitical Standardization of Indonesian Cuisine<\/td>\n<\/tr>\n
Ifo Kornelius Hilboh Telaumbanua<\/td>Universitas Kristen Indonesia, East Jakarta, Indonesia<\/td>Land, Loss, and Memory: Postcolonial Ecocriticism in Korrie Layun Rampan\u2019s \u201cDataran Melengen\u201d<\/td>\n<\/tr>\n
Ignasi Rib\u00f3<\/td>Mae Fah Luang University, Chiang Rai, Thailand<\/td>Anthropocene Vulnerability and Spectrality in Contemporary Thai Fiction<\/td>\n<\/tr>\n
Indah Fadhilla<\/td>University of Indonesia<\/td>Posthumanist Ecocriticism in Triyanto Triwikromo’s Short Story: Exploring the Perpetual Becoming Process in Human-Nature Relationships<\/td>\n<\/tr>\n
Iping Liang <\/td>National Taiwan Normal University<\/td>Specters of Rubber: Trauma, Memory and Plant Narratives in State of Emergency<\/td>\n<\/tr>\n
Isaraporn Pissa-ard<\/td>Chiang Mai University<\/td>Existential Concerns and Ecocritical Messages in Amitav Gosh\u2019s Gun Island and Uthis Haemamool\u2019s Juti<\/td>\n<\/tr>\n
Ivan Rey Carl L. Asilum<\/td>Mindanao State University \u2013 General Santos, General Santos City, Philippines<\/td>Literature as an Ecological Vision: Deconstructing Human-Nature Interactions in Selected Novels<\/td>\n<\/tr>\n
Jan Gabriel S. Boller<\/td>Polytechnic University of the Philippines<\/td>Spinoza and the Problem of Modernity<\/td>\n<\/tr>\n
Jan Raen Carlo M. Ledesma <\/td>University of Santo Tomas, Espa\u00f1a, Manila, Philippines<\/td>An Ethological-Hydrographic Reading of the Ecological Literacies of Selected Philippine Ecopoems in English <\/td>\n<\/tr>\n
Jayson Jimenez<\/td>Polytechnic University of the Philippines, Manila, Philippines<\/td>Jimmy, pro vita sua (A Spinozist reading of Margaret Atwood’s Oryx and Crake)<\/td>\n<\/tr>\n
Jepri Ali Saiful<\/td>Muhammadiyah University of Surabaya, Surabaya, Indonesia<\/td>When GenAI Talks Climate Change: A Posthuman Ecocriticism Inquiry into Human\u2013ChatGPT Climate Change Conversations<\/td>\n<\/tr>\n
Jessa A. Amarille<\/td>University of the Philippines Tacloban College, Tacloban City, Philippines<\/td>Writing Local History and Reimagining Home Post-Disaster: A Reading of Dinah Roma\u2019s Weaving Basey (A Poet\u2019s History of Home)<\/td>\n<\/tr>\n
Jesus Emmanuel S. Villafuerte<\/td>Polytechnic University of the Philippines, Manila, Philippines<\/td>Patining: A Tale of a Small Town, A Tale of a Nation<\/td>\n<\/tr>\n
Joan Chiung-huei Chang<\/td>National Taiwan Normal University, Taipei, Taiwan<\/td>Stages of Resistance: Catherine Diamond\u2019s Eco-Theatre and Mobilization of Local Environmental Consciousness<\/td>\n<\/tr>\n
John Meir Aberle Me\u00f1oto<\/td>Mindanao State University \u2013 General Santos, General Santos City, Philippines<\/td>Resilient Waters: Examining Coastal Livelihoods and Environmental Challenges through Personal Narratives of Fishers in Kalamansig, Sultan Kudarat<\/td>\n<\/tr>\n
John Ray Hontanar<\/td>University of the Philippines Visayas<\/td>PAGHIDAET KAG PANAET: An ecocritical inquiry of the Enduring Babaylanism in Panay, Central Philippines <\/td>\n<\/tr>\n
Jonathan Irene Sartika Dewi<\/td>Universitas Mulawarman, Samarinda, Indonesia<\/td>Bridging Semiotics and Ecology: Actantial Roles in Environmental Storytelling and Discourse<\/td>\n<\/tr>\n
Joselito D. De Los Reyes<\/td>University of Santo Tomas, Manila, Philippines<\/td>ECO-REEL for ECO-REAL: Narratives and Challenges of Eco-Critical Influencers and Content Creators in the Philippines<\/td>\n<\/tr>\n
Joseph P. Casibual Jr.<\/td>Western Mindanao State University-Pagadian Campus, Philippines<\/td>Currents and Memories: Framing Solastalgia in the Narratives of Sibugay River Folks<\/td>\n<\/tr>\n
Joseph P. Casibual Jr.<\/td>Western Mindanao State University-Pagadian Campus, Philippines<\/td>Paglatik sang Malagkit: Narrativizing Local Practices vis-\u00e0-vis Gastronomic Culture among Sibugaynon Hiligaynon in the Philippines<\/td>\n<\/tr>\n
Josephine Intan Candra Dewi<\/td>Universitas Sanata Dharma, Yogyakarta, Indonesia <\/td>Fostering Environmental Awareness and Preserving Cultural Heritage through EFL Creative Writing<\/td>\n<\/tr>\n
Joshua Lloyd L. Blas<\/td>Mindanao State University \u2013 General Santos, General Santos City, Philippines<\/td>Beyond the Idyllic: Rethinking Island Ecology and Cultural Resilience in Balut Island<\/td>\n<\/tr>\n
Kaisa Aquino<\/td>Ateneo de Manila University, Quezon City (Metro Manila), Philippines<\/td>The Fragmented Life of the Revolutionary: Preliminary Notes on the Jungle-Village-City Relations Across Three Novels from Vietnam, Philippines and Indonesia<\/td>\n<\/tr>\n
Kathryn Yalan Chang<\/td>Department of English, National Taitung University, Taiwan<\/td>Vegetal Memory-Scapes and the Poetics of Displacement: Reading Dispersals through Phytocriticism<\/td>\n<\/tr>\n
Kenar Syalaisha Kanayana<\/td>Sanata Dharma University<\/td>A Saussurean Analysis of Symbols: A Representation of Eco-Feminism in Nenengisme or Neneng Rosdiyana\u2019s Facebook Posts.<\/td>\n<\/tr>\n
Kiu-wai Chu<\/td>Nanyang Technological University<\/td>Mouse-Deer Crossing the River: Transcultural Adaptations of Multispecies Folktales in Zhang Xu Zhan\u2019s Compound Eyes of Tropics <\/td>\n<\/tr>\n
Le Thi Huong Thuy<\/td>Vietnam<\/td>Perceptions of water: presentation in contemporary Vietnamese literature (survey of the case of Nguy\u1ec5n Ng\u1ecdc T\u01b0)<\/td>\n<\/tr>\n
Leomar P. Requejo<\/td>Polytechnic University of the Philippines, Manila, Philippines<\/td>Kalikasan at Katauhan: Ecocritical Perspectives in Joey Ayala’s Music and its Role in Environmental Advocacy and Cultural Memory<\/td>\n<\/tr>\n
Lestari Manggong<\/td>Universitas Padjadjaran, Sumedang, Indonesia<\/td>Rejection and Resistance: Ecocritical Perspectives in Han Kang\u2019s The Vegetarian<\/td>\n<\/tr>\n
Li-Ru Lu<\/td>National Sun Yat-sen University, Kaohsiung, Taiwan<\/td>Empire and Environment: Travel, Formosan Camphor and Tea Industries, and Imperialism in Nineteenth-Century Anglo-American Travelers\u2019 Texts<\/td>\n<\/tr>\n
Louise Jashil R. Sonido<\/td>University of the Philippines Diliman, Quezon City, Philippines<\/td>(Re\/Dis)membering: Memory and Necropolitics in Tabi Po<\/td>\n<\/tr>\n
Lukas Henggara Nandamai Herujiyanto, S.Pd., M.A.<\/td>Universitas Widya Mandala Surabaya Kampus Madiun<\/td>Reproductive and Ecological Violence in a Repressive State: ISA\u2013RSA and Feminist Ecocriticism in Indonesia\u2019s New Order Literature (1966\u20131970)<\/td>\n<\/tr>\n
Manal Shakeel<\/td>Forman Christian College (A Chartered University), Lahore, Pakistan <\/td>Reimagining Nature in Susan Hill\u2019s The Woman in Black<\/td>\n<\/tr>\n
Maria Anjelica C. Wong<\/td>University of the Philippines Visayas<\/td>Sangkatinuga as Planetary Thinking: Uncovering A Posthuman Filipino Ecopoetics through Western Visayan Ecopoetry<\/td>\n<\/tr>\n
Maria Vincentia Eka Mulatsih<\/td>Sanata Dharma University, Yogyakarta, Indonesia<\/td>Ecological Reading of Pramoedya Ananta Toer\u2019s The Girl from The Coast<\/td>\n<\/tr>\n
Marisya Befte Gulo<\/td>UKI<\/td>KINDNESS AND SACRIFICE IN SELECTED KOREAN FOLKTALES: INSIGHTS FOR ASEAN INCLUSIVITY AND SUSTAINABILITY<\/td>\n<\/tr>\n
Mark Louis P. Hernandez <\/td>Mindanao State University \u2013 General Santos, General Santos City, Philippines<\/td>Animating Ecology: Environmental Narratives and Human-Nature Interactions in Studio Ghibli Films<\/td>\n<\/tr>\n
Maryanne Moll<\/td>University of the Philippines, Quezon City, Philippines<\/td>The Dark Garden: The Failed Promises of Post-Martial Law Philippines and the Power of the Ecofeminine in Reine Arcache Melvin’s novel The Betrayed<\/td>\n<\/tr>\n
Masda Surti Simatupang<\/td>Universitas Kristen Indonesia, Jakarta, Indonesia<\/td>Beyond the Screen: Environmental Costs and Ecological Perspectives in Post-COVID Online English Learning<\/td>\n<\/tr>\n
Maya Sekartaji<\/td>Universitas Dian Nusantara, Jakarta, Indonesia<\/td>Sympoietic Sludge: The Posthumanist Ecocriticism and Non-Human Agency in Honeybee and the Blot<\/td>\n<\/tr>\n
Md Abu Shahid Abdullah<\/td>East West University, Bangladesh<\/td>Reflecting Environmental Issues and the Human Connection to Nature: An Ecocritical Flight into Amitav Ghosh\u2019s Novels<\/td>\n<\/tr>\n
Md Abu Shahid Abdullah<\/td>East West University, Bangladesh<\/td>The Role of Narrative behind Planetary Crisis: A Postcolonial Ecocritical Reading of Amitav Ghosh\u2019s The Nutmeg\u2019s Curse<\/td>\n<\/tr>\n
Minanto<\/td>Universitas Indonesia<\/td>The Construction of Woman\u2019s Body and Enviroment as A Critique of Male Domination in Duri dan Kutuk (2024)<\/td>\n<\/tr>\n
Muhamad Ma’rup<\/td>Universitas Indonesia, Depok, Indonesia<\/td>Suara Hewan: Eksplotasi, Representasi, dan Resistensi Burung Perkutut dalam Kooong (1975) Karya Iwan Simatupang\/Animal Voice: Exploitation, Representation, and Resistance Turtledove Bird in Kooong (1975)<\/td>\n<\/tr>\n
Muhammad Nurul Islam<\/td>University of Houston, Houston, The USA <\/td>Contested Waters, Bodies of Metal, Bodies of Flesh: Narrating Ecoprecarity and Resistance in Shaheen Dill-Riaz’s Iron Eaters and Tahmima Anam’s The Bones of Grace<\/td>\n<\/tr>\n
Neneng Sri Wahyuningsih<\/td>Universitas LIA, Jakarta, Indonesia<\/td>Climate Fiction and AI Translation: Challenges and Opportunities <\/td>\n<\/tr>\n
Ngo Bich Thu<\/td>VNU-International School (VNU-IS), HANOI, VIETNAM<\/td>THE WORLD OF OBJECTS IN \u201cTHE MASQUE OF THE RED DEATH\u201d BY E.A. POE FROM THE PERSPECTIVE OF ECOCRITICISM<\/td>\n<\/tr>\n
Nguyen Dac Kim Phung<\/td>L\u01b0\u01a1ng Th\u1ebf Vinh High School for the Gifted, Dong Nai, Viet Nam<\/td>Narrating the Process of Vegetalization as Feminine Restoration in the Short Stories The Pale Fairy (V\u00f5 Th\u1ecb H\u1ea3o, Vietnam) and The Fruit of My Woman (Han Kang, South Korea)<\/td>\n<\/tr>\n
Ni Komang Ayu Ristya Pramadani<\/td>Sasing USD<\/td>Myth, Gender, and Resistance in Axie Oh\u2019s The Girl who Fell Beneath the Sea<\/td>\n<\/tr>\n
Niccolo Angelo R. Vitug<\/td>Ateneo de Manila University, Philippines<\/td>To Be Free as Literary Envisioning through Food and Environment of Post-World War 2 Philippines <\/td>\n<\/tr>\n
Ning Huang<\/td>Silliman University<\/td>A study of Taoism in \u201cThe Straw House\u201d<\/td>\n<\/tr>\n
Nur Hasanah<\/td>Yogyakarta<\/td>Spatial Injustice and Ecological Crisis: Migrant Domestic Workers in Christian Surya’s Bedtime Stories of Hong Kong’s Helpers<\/td>\n<\/tr>\n
Nurrahmi Putri<\/td>Universitas Sanata Dharma Yogyakarta<\/td>Ritual, Harvest and Resistance: Food and Cultural Ecology in Chinua Achebe’s Arrow of God<\/td>\n<\/tr>\n
Owen Harry<\/td>National University of Singapore, Singapore<\/td>Teaching Ecospirituality: Encountering Interfaith Ecological Affinities in Singaporean Nature Poetry<\/td>\n<\/tr>\n
Pham Thi To Thy (Ph\u1ea1m Th\u1ecb T\u1ed1 Thy)<\/td>Tra Vinh University, Tra Vinh Province, Vietnam<\/td>ECOCRITICAL PERSPECTIVES ON FOLKTALES AND RITUALS: INTERGENERATIONAL TRANSMISSION OF CULTURAL VALUES IN THE SOUTHERN KHMER COMMUNITY OF VIETNAM<\/td>\n<\/tr>\n
Pim Puapanichya<\/td>University of Warwick, Coventry, United Kingdom<\/td>Writing an Archipelagic World: Navigating the Mangrove Maze and Non-Human Agency on the Andaman and Nicobar Islands <\/td>\n<\/tr>\n
Purwanti Kusumaningtyas<\/td>Satya Wacana Christian University, Salatiga, Indonesia<\/td>Ecofeminist Collaborative Learning for Environmental Preservation: The Case of Script Writing Class of SWCU\u2019s English Literature Study Program<\/td>\n<\/tr>\n
Putri Khalidah<\/td>Universitas Padjadjaran, Kab. Sumedang, Indonesia<\/td>Digital Sisters of the Earth: Female Instagram Micro-Influencers and the Culture of Sustainability<\/td>\n<\/tr>\n
Rangga Kala Mahaswa<\/td>Centre for Anthropocene Studies and Geophilosophy, Yogyakarta, Indonesia <\/td>The uncanny subject in the Anthropocene<\/td>\n<\/tr>\n
Ratu Tsamarah Kusumaning Ayu<\/td>Universitas Padjadjaran, Sumedang, Indonesia<\/td>Curated Commodities: Photocard Collecting, Instagram, and the Invisible Ecology of Fandom<\/td>\n<\/tr>\n
Regie Panadero Amamio<\/td>Mindanao State University – General Santos, General Santos City, Philippines<\/td>Sea Lore and Shifting Tides: A Literary Folkloristic Study of Fisherfolk Narratives and Socio-Environmental Realities in General Santos<\/td>\n<\/tr>\n
Reimundus Raymond Fatubun<\/td>Universitas Cenderawasih, Jayapura, Indonesia <\/td>WHISPERS OF THE ANCESTRAL REEF: ECOCRITICAL READINGS OF BIAK’S SASORI SISUMDO MYTH AND THE RHYTHMS OF ECOLOGICAL INHERITANCE<\/td>\n<\/tr>\n
Rupeng Chen<\/td>University of Edinburgh<\/td>Remaindered Words of Fire: Mahua Modernism as Pyric Aesthetics<\/td>\n<\/tr>\n
Ruthie Liza R. Lapinig<\/td>Jose Rizal Memorial State University, Tampilisan Zamboanga del Norte, Philippines<\/td>A Feminist Ecocritical Analysis of the Lebon (Subanen Woman) in Subanen Folk Literature<\/td>\n<\/tr>\n
Sanchar Sarkar<\/td>Sri Sivasubramaniya Nadar College of Engineering, Chennai, India<\/td>Agency of the Indian Ocean: Marine Ecocriticism in Bibhutibhusan Bandyopadhyay\u2019s Bengali Nautical Fiction<\/td>\n<\/tr>\n
Shreya Sharma<\/td>The LNM Institute of Information Technology, Jaipur, India<\/td>\u2018Ecological unconscious\u2019 and planetary well-being: Examining Rohan Chakravarty\u2019s comics<\/td>\n<\/tr>\n
Soolmaz Moeini<\/td>PhD of Persian language and literature University of Guilan\/Iran<\/td>Disaster Narratives in the Works of Ahmad Mahmoud: An Ecocritical Reading <\/td>\n<\/tr>\n
Sreejata Paul<\/td>Shiv Nadar University, Delhi-NCR, India<\/td>Indigenous Autoecotheory: The Textile Art and Associated Storytelling of Alyen Foning<\/td>\n<\/tr>\n
Stefanus Galang Ardana<\/td>Universitas Sanata Dharma, Yogyakarta, Indonesia<\/td>Can Faith Save the Planet or Destroy It? Rethinking the Fremen Religion in Frank Herbert\u2019s Dune<\/td>\n<\/tr>\n
Tammy Angeline S. Macalma<\/td>University of Santo Tomas, Manila, The Philippines<\/td>The Sun, the Moon, and the Wormholes: Exploring Ecological Imperialism in Pok\u00e9mon Sun and Pok\u00e9mon Moon<\/td>\n<\/tr>\n
Tanvir Mustafiz Khan<\/td>Uttara University, Dhaka, Bangladesh<\/td>Exploring Gendered and Ecological Destruction in Nguy\u1ec5n Phan Qu\u1ebf Mai\u2019s “Dust Child”<\/td>\n<\/tr>\n
Teguh Prasetyo<\/td>Universitas Kristen Indonesia, Jakarta, Indonesia<\/td>Totem and Ecocriticism in Seno Gumira Ajidarma’s Short Stories<\/td>\n<\/tr>\n
Thangamani Ravichandran<\/td>Indian Institute of Technology Kanpur<\/td>Overt and Covert Climate Fiction: Reading the Climate Crisis in Literature<\/td>\n<\/tr>\n
Thomas Leonard D. Shaw<\/td>University of the Philippines, Diliman<\/td>Tropes, Tropics, and the Uncanny: Ecocritical Reflections on Select Philippine Short Stories<\/td>\n<\/tr>\n
Tirzah Zubeidah Zachariah<\/td>Universiti Selangor<\/td>A TASTE OF SATIRE IN \u2018BEANS WITHOUT KOR KOR\u2019<\/td>\n<\/tr>\n
Tran Ngoc Hieu<\/td>Hanoi National University of Education, Vietnam<\/td>The Discourse of Human Dwelling in the Anthropocene Epoch in The Tree House (2019) by Tr\u01b0\u01a1ng Minh Qu\u00fd<\/td>\n<\/tr>\n
Tran Thi Minh<\/td>Nguyen Tat Thanh University, Ho Chi Minh city, Vietnam<\/td>EVALUATING YOUTUBE VIDEOS ON ENVIRONMENTAL EDUCATION IN VIETNAMESE LANGUAGE: EFFECTIVENESS AND POTENTIAL<\/td>\n<\/tr>\n
Tran Tuan Minh<\/td>Hanoi National University of Education, Hanoi, Vietnam<\/td>Displacement and Solastalgia in Mekong Delta Narratives: A Study of Nguy\u1ec5n Ng\u1ecdc T\u01b0\u2019s Short Stories<\/td>\n<\/tr>\n
Vae Dadia<\/td>University of Santo Tomas, Manila, Philippines<\/td>Slow Violence in Two Philippine Disaster Fiction<\/td>\n<\/tr>\n
Velin Jusbina Manalu<\/td>Universitas Kristen Indonesia<\/td>Feminist Ecocriticism in the movie “Tulang Belulang Tulang 2024”: Analyzing Gender Roles and Environmental Symbolism<\/td>\n<\/tr>\n
Wigati Yektiningtyas<\/td>Universitas Cenderawasih, Jayapura, Indonesia<\/td>GREEN HEROES: HOW FOLKLORE CAN INSPIRE ECO-FRIENDLY HABITS IN CHILDREN<\/td>\n<\/tr>\n
Xu Lan<\/td>Universiti Putra Malaysia,Selangor, Malaysia<\/td>Environmental Virtue Ethics for the Anthropocene in Barbara Kingsolver\u2019s Prodigal Summer<\/td>\n<\/tr>\n
Yeni Yulianti<\/td>National Research and Innovation Agency, Jakarta, Indonesia<\/td>No flowers No Gods: Environmental Imperialism in Orang Rimba, Jambi<\/td>\n<\/tr>\n
Yosafat Andrew Gabrian Kameo<\/td>Universitas Sanata Dharma, Yogyakarta, Indonesia<\/td>Walking Through November: A Leopoldian Approach Against Ecological Absence<\/td>\n<\/tr>\n
Yosafat Andrew Gabrian Kameo<\/td>Universitas Sanata Dharma, Yogyakarta, Indonesia<\/td>Climate Un-Awareness, Heideggerian Averaging, and The Drowned Sublime<\/td>\n<\/tr>\n
Yoseph Bavo Agung Prasaja <\/td>Universitas 17 Agustus 1945 Surabaya<\/td>ANTHROPOCENE NARRATIVE OF SOCIAL FORESTRY MANAGEMENT IN TEMON SAWOO PONOROGO <\/td>\n<\/tr>\n
Youyu Hu<\/td>Shanghai Jiao Tong University<\/td>Torrents of Injustice: Environmental Violence and Narrative Resistance in Ng Kim Chew’s Rain<\/td>\n<\/tr>\n
Yuliana Meneses Ordu\u00f1o <\/td>Universitas Sanata Dharma, Yogyakarta <\/td>Nurturing Ecological Correspondences: Practices of coexistence based on ecocriticism and transdiscipline.<\/td>\n<\/tr>\n
Yusuf Arimatea Neno<\/td>Magister Sastra, Universitas Sanata Dharma, Yogyakarta, Indonesia<\/td>Morphological Analysis and Deforming Tendencies in the Bilingual Book of Keong Mas Based on Vladimir Propp’s Theory<\/td>\n<\/tr>\n
Zawiah Binte Mohamad Rasep<\/td>National University of Singapore, Singapore<\/td>Ingesting Divinity: The Emergence of Anthropocentricism through Mythopoeic Perspectives<\/td>\n<\/tr>\n
Zulfi Zumala Dwi Andriani<\/td>Universitas KH Mukhtar Syafaat Banyuwangi<\/td>Ecocritical Analysis of Environmental Destruction and Climate Change in Jostein Gaarder’s \u201cThe World of Anna”<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\u00a0<\/p>

PANEL PRESENTATIONS<\/span><\/strong><\/h3>
\u00a0<\/span><\/strong><\/div>
Panel 1<\/span><\/h5>
Natural Disasters, Catastrophes, and Ecological Anxiety in Contemporary Vietnamese Literature<\/strong><\/span><\/h6>

Panel Abstract<\/strong><\/span><\/p>

This panel centers around discussions concerning the pressing and acute environmental issues currently facing Vietnam. As a nation already significantly impacted by climate change, Vietnam is confronting the increasing realization of more severe climate scenarios, such as floods, droughts, and landslides, occurring with growing frequency. Concurrently, the spiritual lives of Vietnamese people are increasingly affected by existential questions related to natural disasters and catastrophes. Consequently, how has contemporary Vietnamese literature responded to these environmental realities and the ecological anxieties experienced by the Vietnamese people? This is the central question that our panel aims to address. More specifically, this panel aims to address the following pivotal questions: (1) How have phenomena such as droughts and floods impacted the livelihoods of the most vulnerable populations in contemporary Vietnamese society, including women, children, farmers, and ethnic minorities, and how is this reflected in literature? (2) What is the value of literature in documenting the crises of subsistence and the psychological distress experienced by contemporary Vietnamese people in diverse locales and social spaces? And finally, (3) In what ways can literature and the arts in general offer insights into ecological reflection and awareness to address the current state of climate change? In conclusion, it is our aspiration that this discussion session will serve as a call for greater attention to the escalating environmental phenomena that threaten and profoundly impact the existential state of the Vietnamese people, as well as to the circumstances of underrepresented populations who are frequently marginalized within discourses of economic development.<\/p>

Chair:<\/strong><\/span> TRAN Ngoc Hieu (Department of Philology, Hanoi National University of Education, Vietnam)<\/strong><\/span><\/p>

\n\n\n\n\t\n\n\t\n\t\n\t\n\t\n\t
Presenters<\/strong><\/th>Affiliation (Institution, City, Country)<\/strong><\/th>Presentation Titles<\/strong><\/th>\n<\/tr>\n<\/thead>\n
TRAN Ngoc Hieu<\/td>Department of Philology, Hanoi National University of Education, Vietnam<\/td>The Representation of the Great Flood in Vietnamese Literature: A Study of \u201cThe Witness of a Death\u201d by Nguy\u1ec5n Quang Thi\u1ec1u and \u201cWater: A Chronicle\u201d by Nguy\u1ec5n Ng\u1ecdc T\u01b0<\/td>\n<\/tr>\n
DO Hai Ninh<\/td>Institute of Literature, Vietnam Academy of Social Sciences, Vietnam<\/td>Natural Disasters, Survival Instincts, and Psychological Trauma: Reading Narratives of Landslides in Contemporary Vietnamese Literature <\/td>\n<\/tr>\n
TRAN Thi Anh Nguyet<\/td>The Faculty of Philology and Communication, Da Nang University of Education, Vietnam<\/td>Farmers Leaving the Land: Reading Vietnamese Literature After 1986 on the Theme of Labor Export<\/td>\n<\/tr>\n
DANG Thi Thai Ha<\/td>Institute of Literature, Vietnam Academy of Social Sciences, Vietnam<\/td>Eco-Trauma and Eco-Recovery in Contemporary Vietnamese Narratives of Extinction and [Post-]Apocalypse<\/td>\n<\/tr>\n
TRINH Dang Nguyen Huong<\/td>Institute of Literature, Vietnam Academy of Social Sciences, Vietnam<\/td>Floods Through the Eyes of Children: Responses to the Natural Disaster in Nguy\u1ec5n Nh\u1eadt \u00c1nh\u2019s Children\u2019s Literature<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\u00a0<\/p>

Panel 2<\/span><\/strong><\/p>

The Affirmative Instrumentality of Literary Forms<\/span><\/h6>

Panel Abstract<\/strong><\/span><\/p>

Our panel takes aim at academic practices that attempt to balkanize the study of literature, to restrict it within the domain of the cultural or to conflate literary criticism with political action. Critical examination of texts is not an end in itself; nor is self-adjustment and personal enrichment. We must expand or re-conceptualize the humanities\u2019 mission to include interventions in or against structures of power. Following Caroline Levine\u2019s recent book The Activist Humanist, our panelists endorse an \u201caffirmative instrumentality\u201d for narrative art forms. We look at how the formal dimensions and motifs of narrative art provide structures for\u2014and road maps to\u2014political practices that promote the collective continuance of the human species, specifically political practices that combat systemic barriers to addressing climate change. Each of our papers attempts to connect the formal dimensions of literary texts to the formal structures of environmental activism. Orada Lelanuja examines forms of interbeing in Thai actor Sineenardh Keitprapai\u2019s eco-performances; Lauren Clark looks at restoring affirmative instrumentality to physical bodies through agent-centered literary narratives; and Sarah Kimmet is examining a queer sci-fi novel that constructs postcapitalist structures for the body and body politic.<\/p>

Chair:<\/strong><\/span> Lauren Rebecca Clark (Chiang Mai University, Chiang Mai, Thailand)<\/strong><\/span><\/p>

\n\n\n\n\t\n\n\t\n\t\n\t
Presenters<\/strong><\/th>Affiliation (Institution, City, Country)<\/strong><\/th>Presentation Titles<\/strong><\/th>\n<\/tr>\n<\/thead>\n
Sarah Kimmet<\/td>Chiang Mai University, Chiang Mai, Thailand<\/td>Postcapitalist Bodies and the Eco-Body Politic <\/td>\n<\/tr>\n
Orada Lelanuja<\/td>Chiang Mai University, Chiang Mai, Thailand<\/td>Moving with Nature: Exploring Meditative and Spiritual Connection through Sineenardh Keitprapai\u2019s Eco-Performance <\/td>\n<\/tr>\n
Lauren Rebecca Clark<\/td>Chiang Mai University, Chiang Mai, Thailand<\/td>Bodies of literature, bodies of water, quaking in their (work)boots <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/p>

\u00a0<\/p>

Panel 3<\/span><\/strong><\/h5>
Reimagining Islands, Forests, and Seas: Ecologies of Relation and Resistance in Philippine and Southeast Asian Imaginaries<\/span><\/h6>

Panel Abstract<\/strong><\/span><\/p>

This panel explores how Philippine and Southeast Asian landscapes\u2014forests, islands, and seas\u2014serve as sites of memory, power, and resistance. Glenn Diaz examines El Arbol de la Alegria, where botanical science and settler colonialism intersect with alternative ways of knowing that disrupt capital\u2019s hold on the forest. Ian Harvey Claros turns to the Waray heteronym hur\u00f3n\/h\u00faron in Garab, tracing how climate change and insurgency reshape ideas of home and pastoral life in Samar and Leyte. Christian Benitez challenges static notions of the \u201cisland\u201d through the concept of pulo, Thai jungle cinema, and imagined gardens, proposing a poetics of islands that \u201cpull away.\u201d Luisa L. Gomez, meanwhile, analyzes Joar Songcuya\u2019s seascapes as visual expressions of archipelagic thought\u2014evoking movement, memory, and relation from a seaman\u2019s gaze. Together, the papers rethink ecological and spatial imaginaries beyond containment, foregrounding how land and sea are entangled with histories of empire, displacement, and the ongoing work of reworlding.<\/p>

Chair: <\/strong><\/span>Luisa L. Gomez (Ateneo de Manila University, Philippines)<\/span><\/strong><\/p>

\n\n\n\n\t\n\n\t\n\t\n\t\n\t
Presenters<\/strong><\/th>Affiliation (Institution, City, Country)<\/strong><\/th>Presentation Titles<\/strong><\/th>\n<\/tr>\n<\/thead>\n
Glenn Diaz<\/td>University of the Philippines, Quezon City, Philippines<\/td>Privatizing Utopia: Knowledge, Capital, and The Forest in Rm Topacio Aplaon\u2019s El Arbol De la Alegria<\/td>\n<\/tr>\n
Ian Harvey A. Claros<\/td>Ateneo de Manila University, Philippines<\/td>Hur\u00f3n, H\u00faron: A Home Under Siege in Southern Philippines<\/td>\n<\/tr>\n
Christian Jil R. Benitez<\/td> Chulalongkorn University, Thailand; Ateneo de Manila University, the Philippines<\/td>Forests and Gardens, or Dreams of \u201cIsland\u201d Pulling Away<\/td>\n<\/tr>\n
Luisa L. Gomez<\/td>Ateneo de Manila University, Philippines<\/td> Tidal Relations: Archipelagic Thinking and the Oceanic Landscapes of Joar Songcuya, a Seaman-Artist <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/p>

\u00a0<\/p>

Panel 4<\/span><\/strong><\/h5>
Diasporic Women in the Global Landscape<\/span><\/h6>

Panel Abstract<\/strong><\/span><\/p>

In the global landscape, diasporic women as complex subjects must negotiate their identity, body, and power. Broderies by Marjane Satrapi represents Iranian women’s resistance to patriarchy and religious revivalism through the domestic practice of embroidery, serving as a form of \u00e9criture f\u00e9minine. Similarly, Puri Viera\u2019s YouTube vlogs highlight the hybrid identity of Indonesian women in transnational marriages, revealing the ambivalence between agency and digital coloniality. The film Anatomie d\u2019une Chute portrays the body of a European diasporic woman within a patriarchal legal system, employing the female gaze and poststructuralist approaches to expose linguistic violence against women. Lastly, the traditional practice of Marhata Sinamot among the Batak Toba diaspora community in Bandung demonstrates gender construction and the symbolic economic value of the female body in wedding rituals. These four case studies show that diasporic women, whether in the Middle East, Southeast Asia, or Europe, consistently face systems that negotiate their bodies and identities through narrative, law, tradition, and even technology. They also serve as representations of the evolution of women\u2019s away-from-home experiences as exemplified by Frances Trollope\u2019s narrative. This study emphasizes the importance of re-reading the position of diasporic women in the global landscape through the intersectional and interdisciplinary lens.<\/p>

Chair:<\/strong><\/span> Dr. Ari Jogaiswara Adipurwawidjana, M.A. (Universitas Padjadjaran, Sumedang, Indonesia)<\/span><\/strong><\/p>

\n\n\n\n\t\n\n\t\n\t\n\t\n\t\n\t
Presenters<\/strong><\/th>Affiliation (Institution, City, Country)<\/strong><\/th>Presentation Titles<\/strong><\/th>\n<\/tr>\n<\/thead>\n
Dr. Ari Jogaiswara Adipurwawidjana, M.A.<\/td>Universitas Padjadjaran, Sumedang, Indonesia<\/td>The American Landscape and the Victorian Female Gaze in Frances Trollope\u2019s Domestic Manners of the Americans<\/td>\n<\/tr>\n
Rifka Alif Rahmasari, S.Hum.<\/td>Universitas Padjadjaran, Sumedang, Indonesia<\/td>Remembering, Writing, and Postcolonial Women’s Agency in Broideries by Marjane Satrapi<\/td>\n<\/tr>\n
Poetry Salsabila Nurrania, S.Hum. <\/td>Universitas Padjadjaran, Sumedang, Indonesia<\/td>Hybrid Identities and the Postcolonial Digital Embodiment of Indonesian Women in Puri Viera\u2019s YouTube Vlogs<\/td>\n<\/tr>\n
Dinda Akhlakulkarimah, S.Hum.<\/td>Universitas Padjadjaran, Sumedang, Indonesia<\/td>Woman and Institutional Violence in Anatomie d\u2019une Chute (2023)<\/td>\n<\/tr>\n
Felisita Angelique Novena, S.S.<\/td>Universitas Padadjaran, Sumedang, Indonesia<\/td>The Negotiation of the Female Body in the Marhata Sinamot Ritual of Batak Toba Traditional Weddings<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/p>

\u00a0<\/p>

Panel 5<\/span><\/strong><\/h5>
Ecological Imperialism: Tracing the Ongoing Environmental Impacts of Colonialism in Indonesia<\/span><\/h6>

Panel Abstract<\/strong><\/span><\/p>

Despite Indonesia’s political independence, the nation continues to be profoundly shaped by coloniality, particularly in power, knowledge, and being. The coloniality of power persists through social discrimination and regional inequalities, reflecting the enduring legacy of colonial structures in contemporary society. Similarly, the coloniality of knowledge remains dominant due to the pervasive influence of the Eurocentric knowledge system, which has infiltrated our intellectual landscape and continues to perpetuate the dominance of certain groups. This is evident in the displacement of local perspectives by “modern” frameworks, often resulting in harm to indigenous communities who maintain deep connections to their land and traditions. The coloniality of being further marginalises groups rendered invisible within national narratives, compounding social and cultural exclusion. These dimensions extend into environmental issues, forming the basis of ecological imperialism.
This panel aims to critically examine ecological imperialism, exploring how it is represented across different cultural phenomena and productions in Indonesia. It will consider ecological imperialism as a direct consequence of the persistence of coloniality, inviting a decolonial perspective as a framework to scrutinize the ongoing impact of colonial legacies on shaping environmental narratives and practices.<\/p>

Chair: <\/strong><\/span>Ramayda Akmal (UGM, Yogyakarta, Indonesia)<\/span><\/strong><\/p>

\n\n\n\n\t\n\n\t\n\t\n\t\n\t\n\t
Presenters<\/strong><\/th>Affiliation (Institution, City, Country)<\/strong><\/th>Presentation Titles<\/strong><\/th>\n<\/tr>\n<\/thead>\n
Ramayda Akmal<\/td>UGM, Yogyakarta, Indonesia<\/td>Margins of Resistance: Ecological Imperialism in Fatris MF’s travelogue Indonesia dari Pinggir<\/td>\n<\/tr>\n
Rucitarahma Ristiawan<\/td>UGM, Yogyakarta, Indonesia<\/td>Urban Pastoralism? Rethinking Mobility, Informality and Spatial Justice in Yogyakarta\u2019s Informal Parking Economies<\/td>\n<\/tr>\n
Arifah Arum Candra Hayuningsih<\/td>UGM, Yogyakarta, Indonesia<\/td>\u201cOur Bodies, Our Lands\u201d: Indigenous Female Voices Against Ecological Imperialism in Tanah Tabu and Kuessipan<\/td>\n<\/tr>\n
Ahmad Zamzuri<\/td>BRIN, Jakarta, Indonesia<\/td>Living in Spaces of Trauma: Buru Island and Journeying of Self in Laksmi Pamuntjak\u2019s Amba<\/td>\n<\/tr>\n
Bramantio & Yesaya Sandang <\/td>UNAIR & UKSW, Surabaya & Salatiga, Indonesia<\/td>Bridging Boundaries: Ecocritical Exploration from Literature to Visual Art in the Works of Kiki Sulistyo and Agan Harahap<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/p>

\u00a0<\/p>

Panel 6<\/span><\/strong><\/h5>
Vietnamese Narratives of Animals: Voices and Gazes<\/span><\/h6>

Panel Abstract<\/strong><\/span><\/p>

Most Western and, indeed, many Eastern traditions have constructed the \u2018animal\u2019 largely as Other to the human. In the value dualisms that mark the civilized from the savage, order from disorder, civic society from wilderness, the human is placed squarely on the side of the positive binary whilst the animal is exiled to the outer boundaries of civilization, to savagery and violence. The animal in its most feared aspect is constructed as the \u2018beast\u2019 that needs to be hunted and killed in order to safeguard civilization. One of the great dangers widely identified by scholars is the anthropocentric approach to animals. In Donna Haraway\u2019s famous words, \u201cWe polish an animal mirror to look for ourselves.\u201d. Nevertheless, in many Southeast Asian cultures, paradoxically, a parallel elevation of the animal to autonomy and agentic status continues in certain cultural spaces, albeit inconsistently. We will explore more about the animal with autonomy and agentic status through exploring its voices and gazes in Vietnamese narratives, specifically with regard to Vietnamese culture.<\/p>

Chair:<\/strong> <\/span>Chi P. Pham (Institute of Literature, Vietnam Academy of Social Sciences, Hanoi, Vietnam)<\/span><\/strong><\/p>

\n\n\n\n\t\n\n\t\n\t\n\t\n\t
Presenters<\/strong><\/th>Affiliation (Institution, City, Country)<\/strong><\/th>Presentation Titles<\/strong><\/th>\n<\/tr>\n<\/thead>\n
Chi P. Pham<\/td>Institute of Literature, Vietnam Academy of Social Sciences<\/td>Myth and Animal Resistance in Vietnamese Animal Stories: Case of \u201cRaw Fish\u201d and \u201cGi\u00e1t Market Day\u201d<\/td>\n<\/tr>\n
Hoang Thi Quynh Trang<\/td>Ph\u00fa Xu\u00e2n University, Vietnam<\/td>The Educational Lessons in T\u00f4 Ho\u00e0i\u2019s Stories for Children<\/td>\n<\/tr>\n
Kieu Minh Hung<\/td>University of Social Science and Humanities, Ho Chi Minh City<\/td>Postcolonial ecocriticism in Vietnam: Surveying the short stories of B\u00f9i Ng\u1ecdc T\u1ea5n and Nguy\u1ec5n Quang Th\u00e2n<\/td>\n<\/tr>\n
Nguyen Thuy Trang<\/td>Hue University of Education<\/td>The Fate of Animals During the Pandemic: Reflection and Metaphor in Contemporary Vietnamese Literature<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

LSC & ASLE-ASEAN Ecocritical Conference Accepted Abstracts INDIVIDUAL PRESENTATIONS \u00a0 PANEL PRESENTATIONS \u00a0 Panel 1 Natural Disasters, Catastrophes, and Ecological Anxiety in Contemporary Vietnamese Literature Panel Abstract This panel centers …<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_eb_attr":"","footnotes":""},"class_list":["post-4865","page","type-page","status-publish","hentry"],"yoast_head":"\nLSC & ASLE-ASEAN Ecocritical Conference Accepted Abstracts - Literary Studies Conference (LSC)<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/lscusd.id\/index.php\/acceptedabstracts2025\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"LSC & ASLE-ASEAN Ecocritical Conference Accepted Abstracts - 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