{"id":57778,"date":"2026-09-06T08:14:02","date_gmt":"2026-09-06T08:14:02","guid":{"rendered":"https:\/\/lscusd.id\/?page_id=57778"},"modified":"2026-09-06T08:15:05","modified_gmt":"2026-09-06T08:15:05","slug":"lsc-2026-accepted-titles","status":"publish","type":"page","link":"https:\/\/lscusd.id\/index.php\/lsc-2026-accepted-titles\/","title":{"rendered":"LSC 2026 Accepted Titles"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"57778\" class=\"elementor elementor-57778\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-c526624 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"c526624\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-589ada5\" data-id=\"589ada5\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-d0c4009 elementor-widget elementor-widget-text-editor\" data-id=\"d0c4009\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h1><span style=\"color: #008000;\">LSC 2026 Accepted Titles<\/span><\/h1><p>We are happy to announce the accepted titles to present on the conference days. \ud83d\ude42\u00a0<\/p>\n<table id=\"tablepress-97\" class=\"tablepress tablepress-id-97\">\n<thead>\n<tr class=\"row-1\">\n\t<th class=\"column-1\">No<\/th><th class=\"column-2\">Presenters<\/th><th class=\"column-3\">Presentation Titles<\/th>\n<\/tr>\n<\/thead>\n<tbody class=\"row-striping row-hover\">\n<tr class=\"row-2\">\n\t<td class=\"column-1\">1<\/td><td class=\"column-2\">Adrian Lee<br \/>\nJohn Jay L. Morido<\/td><td class=\"column-3\">Stages of Sovereignty: Local Worldviews, Decolonial Storytelling, and Regional Identity in Mindanaoan Written Drama<\/td>\n<\/tr>\n<tr class=\"row-3\">\n\t<td class=\"column-1\">2<\/td><td class=\"column-2\">Aldrin E. Manalastas<\/td><td class=\"column-3\">The Aesthetics of Pagkawala in Lualhati Bautista\u2019s \u201cLea\u2019s Story\u201d (Bata, Bata\u2026 Pa\u2019no ka Ginawa? 1988)<\/td>\n<\/tr>\n<tr class=\"row-4\">\n\t<td class=\"column-1\">3<\/td><td class=\"column-2\">Anna Maria<br \/>\nPurwanti Kusumaningtyas<\/td><td class=\"column-3\">Fallible Narrators in &#8216;Rahasia Pak Dwija&#8217; and &#8216;Tukang Cukur&#8217;<\/td>\n<\/tr>\n<tr class=\"row-5\">\n\t<td class=\"column-1\">4<\/td><td class=\"column-2\">Ari J. Adipurwawidjana<\/td><td class=\"column-3\">Beyond the State: The Asia Africa Conference in Richard Wright\u2019s The Color Curtain<\/td>\n<\/tr>\n<tr class=\"row-6\">\n\t<td class=\"column-1\">5<\/td><td class=\"column-2\">Arina Isti&#8217;anah, Arlisya Kannitha Ramasyachri, Fortuna Devi Gunputri <\/td><td class=\"column-3\">Contesting Presidential Power: Impoliteness Strategies in YouTube Comments on the Indonesian President\u2019s Speeches <\/td>\n<\/tr>\n<tr class=\"row-7\">\n\t<td class=\"column-1\">6<\/td><td class=\"column-2\">Arnoldus Janssen Ledo, Dewi Widyastuti<\/td><td class=\"column-3\">Micro-Politics in Student-Written Flash Fiction<\/td>\n<\/tr>\n<tr class=\"row-8\">\n\t<td class=\"column-1\">7<\/td><td class=\"column-2\">Boy Ertanto<\/td><td class=\"column-3\">And Now Reads the Machine: Questioning Extremism and its Derivatives in Mahsun\u2019s \u201cWhat the Andromaid Reads at Night\u201d<\/td>\n<\/tr>\n<tr class=\"row-9\">\n\t<td class=\"column-1\">8<\/td><td class=\"column-2\">Donny Syofyan<\/td><td class=\"column-3\">Negotiating Custom and Power: Reclaiming the Minangkabau Literary Imagination Against Authoritarian Populism<\/td>\n<\/tr>\n<tr class=\"row-10\">\n\t<td class=\"column-1\">9<\/td><td class=\"column-2\">Dwi Firli Ashari<\/td><td class=\"column-3\">Queering Eriko: Trans Identity, Lexical Politics, and Paratextual Framing in Two Indonesian Retranslations of Banana Yoshimoto\u2019s Kitchen<\/td>\n<\/tr>\n<tr class=\"row-11\">\n\t<td class=\"column-1\">10<\/td><td class=\"column-2\">Eisha Umayan, Karin N. Olmedo<\/td><td class=\"column-3\">Frames of Power: Cinematic Memory, Ideology, and the Vietnam War  in Asian and Western Film Narratives<\/td>\n<\/tr>\n<tr class=\"row-12\">\n\t<td class=\"column-1\">11<\/td><td class=\"column-2\">Elisha Camille B. Catimpo<\/td><td class=\"column-3\">The Gutters and Margins: Negotiating the Present and Future Politics of Space in and for Filipino Komiks<\/td>\n<\/tr>\n<tr class=\"row-13\">\n\t<td class=\"column-1\">12<\/td><td class=\"column-2\">Esther Deborah Kalauserang<\/td><td class=\"column-3\">Rethinking Kartini to Present Day:  Female Objectification through Perpetuation of Javanese Gender Stereotypes   as a Form of Symbolic Violence in Indonesian Higher Education<\/td>\n<\/tr>\n<tr class=\"row-14\">\n\t<td class=\"column-1\">13<\/td><td class=\"column-2\">Fika Fauziah<\/td><td class=\"column-3\">Negotiating Patriarchal Power through Education : A comparative Study of I am Malala and Panggil Aku Kartini Saja<\/td>\n<\/tr>\n<tr class=\"row-15\">\n\t<td class=\"column-1\">14<\/td><td class=\"column-2\">Gabriel Ephifanio Suwanto <\/td><td class=\"column-3\">Political Awareness in Fictional Digital Journalism: A Lexical Analysis of &#8216;The Radical&#8217; News Agency as a Libertarian-Left Archetype in Torpor\u2019s Games Suzerain<\/td>\n<\/tr>\n<tr class=\"row-16\">\n\t<td class=\"column-1\">15<\/td><td class=\"column-2\">Gil D. Buglosa, Regie P. Amamio<\/td><td class=\"column-3\">Rituals of Resistance: Folk Magic, Cultural Survival, and Political Imaginaries in Sultan Kudarat, Philippines<\/td>\n<\/tr>\n<tr class=\"row-17\">\n\t<td class=\"column-1\">16<\/td><td class=\"column-2\">Henrikus Joko Yulianto<\/td><td class=\"column-3\">Material Agency as Political Entanglement in Contemporary Southeast Asian Poems of Afrizal Malna and Luis H. Francia<\/td>\n<\/tr>\n<tr class=\"row-18\">\n\t<td class=\"column-1\">17<\/td><td class=\"column-2\">Hope Sabanpan Yu<\/td><td class=\"column-3\">Literature against Erasure: Colonial Injustice, Counterinsurgency, and Memory in Southeast Asia<\/td>\n<\/tr>\n<tr class=\"row-19\">\n\t<td class=\"column-1\">18<\/td><td class=\"column-2\">Hope Sabanpan Yu, Raphael Dean Polinar<\/td><td class=\"column-3\">From Colonial Student to Postcolonial Elite: Failed Modernities in Kartodikromo and Rosca<\/td>\n<\/tr>\n<tr class=\"row-20\">\n\t<td class=\"column-1\">19<\/td><td class=\"column-2\">Iriano Yedija Petrus Awom<\/td><td class=\"column-3\">Becoming Imperceptible as a Means to Experience Freedom in Papua: Reading Hidden Transcripts from Black Brothers to Contemporary Papuan Music<\/td>\n<\/tr>\n<tr class=\"row-21\">\n\t<td class=\"column-1\">20<\/td><td class=\"column-2\">Ivan Emil A. Labayne<\/td><td class=\"column-3\">Displacements and Movements, From Slums to Forests: Reading Glenn Diaz\u2019s Y\u00f1iga<\/td>\n<\/tr>\n<tr class=\"row-22\">\n\t<td class=\"column-1\">21<\/td><td class=\"column-2\">Jan Raen Carlo M. Ledesma <\/td><td class=\"column-3\">An Exploration of the Postcolonial Concept of White Love in Rony V. Diaz\u2019s \u201cThe President of the Tribe\u201d and Lina Espina-Moore\u2019s \u201cSam-It and the Loom\u201d <\/td>\n<\/tr>\n<tr class=\"row-23\">\n\t<td class=\"column-1\">22<\/td><td class=\"column-2\">Jessa A. Amarille<\/td><td class=\"column-3\">The Philippine Pastiche: The American Colonial Period and Martial Law in Gina Apostol\u2019s Insurrecto and La Tercera<\/td>\n<\/tr>\n<tr class=\"row-24\">\n\t<td class=\"column-1\">23<\/td><td class=\"column-2\">Jhomarie M. Sevilla, Joveth Jay Dafilmoto Monta\u00f1a<\/td><td class=\"column-3\">Memory in Motion: Inland Sama Oral Traditions, Ritual Performance, and the Politics of Cultural Survival in General Santos City, Philippines<\/td>\n<\/tr>\n<tr class=\"row-25\">\n\t<td class=\"column-1\">24<\/td><td class=\"column-2\">Kristoffer Von Pierre P. Peralta Ma. Luz J. Nakai<\/td><td class=\"column-3\">In Between Worlds: Hybridity and Resistance of Liminal Characters in Philippine Speculative Fiction<\/td>\n<\/tr>\n<tr class=\"row-26\">\n\t<td class=\"column-1\">25<\/td><td class=\"column-2\">Laudi Kayluna Maisha<\/td><td class=\"column-3\">The American Mosaic: Space, Simulation, and the Populist Voice<br \/>\nThe Economy of Spaces in DeLillo&#8217;s Americana, White Noise, and Zero K<\/td>\n<\/tr>\n<tr class=\"row-27\">\n\t<td class=\"column-1\">26<\/td><td class=\"column-2\">Lestari Manggong<\/td><td class=\"column-3\">The American Mosaic: Space, Simulation, and the Populist Voice<br \/>\nContesting the Democratic Ideal: Populism in the Trump Era through Walt Whitman\u2019s Poetic Lens<\/td>\n<\/tr>\n<tr class=\"row-28\">\n\t<td class=\"column-1\">27<\/td><td class=\"column-2\">Ma. Eloisa D. Sevilla-Perez<\/td><td class=\"column-3\">Political Violence and Cultural Trauma in Southeast Asian Novels<\/td>\n<\/tr>\n<tr class=\"row-29\">\n\t<td class=\"column-1\">28<\/td><td class=\"column-2\">Maria Gita Samadya<\/td><td class=\"column-3\">The American Mosaic: Space, Simulation, and the Populist Voice<br \/>\nFrom Canon to Fanon: Exploring The Simulacra of South Park Fanfiction<\/td>\n<\/tr>\n<tr class=\"row-30\">\n\t<td class=\"column-1\">29<\/td><td class=\"column-2\">Mark Louie Tabunan<\/td><td class=\"column-3\">Resistant Kapwa Aesthetics and Eileen Tabios\u2019s DoveLion: A Fairy-Tale for Our Times<\/td>\n<\/tr>\n<tr class=\"row-31\">\n\t<td class=\"column-1\">30<\/td><td class=\"column-2\">Nadja Jessevin Threaquino Sukma, Harris Hermansyah Setiajid<\/td><td class=\"column-3\">Deforming Tendencies and the Politics of Desire in the English Translation of Utami\u2019s Saman<\/td>\n<\/tr>\n<tr class=\"row-32\">\n\t<td class=\"column-1\">31<\/td><td class=\"column-2\">Natalia dos Santos Soares<\/td><td class=\"column-3\">Hybrid Timorese Identity in Lu\u00eds Cardoso&#8217;s Chronicle of a Crossing: A Postcolonial Reading through Homi K. Bhabha&#8217;s Concept of Hybridity.<\/td>\n<\/tr>\n<tr class=\"row-33\">\n\t<td class=\"column-1\">32<\/td><td class=\"column-2\">Ni Komang Arie Suwastini, I Nyoman Pasek Hadisaputra, Ni Nyoman Artini, I Gusti Agung Sri Rwa Jayantini<\/td><td class=\"column-3\">Beyond Escapism: Fantasy, Moral Agency, and the Reimagining of Justice in C. S. Lewis\u2019s The Chronicles of Narnia<\/td>\n<\/tr>\n<tr class=\"row-34\">\n\t<td class=\"column-1\">33<\/td><td class=\"column-2\">Nurul Hanun Asyifa &amp; Dyah Kristyowati.<\/td><td class=\"column-3\">Dreaming Boys, Caring Fathers: Reimagining Masculinity in Clara Ng&#8217;s Sejuta Warna Pelangi<\/td>\n<\/tr>\n<tr class=\"row-35\">\n\t<td class=\"column-1\">34<\/td><td class=\"column-2\">Padel Muhamad Rallie Rivaldy, Dyah Kristyowati,Jordy Satria Widodo, &amp; Puji Rahayu Firdaus.<\/td><td class=\"column-3\">Conditional parenthood and the paradox of Indonesia Emas 2045: Eco-anxiety and  environmentally childfree attitudes among Bogor youth<\/td>\n<\/tr>\n<tr class=\"row-36\">\n\t<td class=\"column-1\">35<\/td><td class=\"column-2\">Pham Thi To Thy<\/td><td class=\"column-3\">Reimagining Literary Space through the Qu\u1ed1c Ng\u1eef Press and Western Literary Adaptation in Colonial Southern Vietnam (Late Nineteenth\u2013Early Twentieth Centuries)<\/td>\n<\/tr>\n<tr class=\"row-37\">\n\t<td class=\"column-1\">36<\/td><td class=\"column-2\">Qu\u1ef3nh Trang, Ho\u00e0ng Th\u1ecb<\/td><td class=\"column-3\">Sexuality as a Mode of Self-Affirmation in the Works of Nguyen Quang Lap<\/td>\n<\/tr>\n<tr class=\"row-38\">\n\t<td class=\"column-1\">37<\/td><td class=\"column-2\">Reimundus Raymond Fatubun, Wigati Yektiningtyas<\/td><td class=\"column-3\">&#8220;All Animals Are Equal, But Some Are More Equal&#8221;:  Orwell\u2019s Animal Farm as a Critical Metaphor for Democratic Erosion in Indonesia\u2019s Post-Reformasi <\/td>\n<\/tr>\n<tr class=\"row-39\">\n\t<td class=\"column-1\">38<\/td><td class=\"column-2\">Rene Boy E. Abiva<\/td><td class=\"column-3\">\u201cHindi sa Hating-Gabi, Sa Bukang- Liwayway\u201d: Reexamining Suor Clara Through Foucault\u2019s Docile Body Theory<\/td>\n<\/tr>\n<tr class=\"row-40\">\n\t<td class=\"column-1\">39<\/td><td class=\"column-2\">Rezza Ferl M. Salaysay, Karin N. Olmedo<\/td><td class=\"column-3\">Screens of Sovereignty: Cinematic Memory, Indigenous Resistance, and the Politics of Representation in Philippine Films<\/td>\n<\/tr>\n<tr class=\"row-41\">\n\t<td class=\"column-1\">40<\/td><td class=\"column-2\">Rifka Alif Rahmasari<\/td><td class=\"column-3\">Narrating Power through Religion and Family: Narrative Strategies and Everyday Resistance in Eka Kurniawan&#8217;s Anjing Mengeong Kucing Menggonggong<\/td>\n<\/tr>\n<tr class=\"row-42\">\n\t<td class=\"column-1\">41<\/td><td class=\"column-2\">Rvie M. Santillan<\/td><td class=\"column-3\">Ang Mga Salida sa Sagay: Sagaynon Counter-memory Narratives in Margaha Film Festival Entries From 2020-2024<\/td>\n<\/tr>\n<tr class=\"row-43\">\n\t<td class=\"column-1\">42<\/td><td class=\"column-2\">Sistiadinita, M.Litt.<\/td><td class=\"column-3\">Translation, Digitalization, and Ecocritical Analysis of West Kalimantan Folklore for Preserving Human- Nature Relationship Values<\/td>\n<\/tr>\n<tr class=\"row-44\">\n\t<td class=\"column-1\">43<\/td><td class=\"column-2\">Stanislaus Bayu Kusuma Wardhana, Valentinus Hari Gunawan<\/td><td class=\"column-3\">On the Question of Authority and the Spectre of Authoritarianism in Mochtar Lubis\u2019 Harimau! Harimau!<\/td>\n<\/tr>\n<tr class=\"row-45\">\n\t<td class=\"column-1\">44<\/td><td class=\"column-2\">Stanislaus Jovi Ferdinand, Tranggono Saktiaji Pratomo, Ouda Teda Ena<\/td><td class=\"column-3\">A Comparative Appraisal Analysis of Technology Representation in Short Stories by Generation Z Authors<\/td>\n<\/tr>\n<tr class=\"row-46\">\n\t<td class=\"column-1\">45<\/td><td class=\"column-2\">Tammy Angeline S. Macalma<\/td><td class=\"column-3\">Exploring Ibuism in Eka Kurniawan\u2019s Man Tiger (2004)<\/td>\n<\/tr>\n<tr class=\"row-47\">\n\t<td class=\"column-1\">46<\/td><td class=\"column-2\">Tan Michael Chandra<\/td><td class=\"column-3\">From Criticism to Algorithmic Compliance: Imagining the Future of Dissent in Andina Dwifatma&#8217;s Linus Damono and Ken Liu&#8217;s The Perfect Match<\/td>\n<\/tr>\n<tr class=\"row-48\">\n\t<td class=\"column-1\">47<\/td><td class=\"column-2\">Tr\u1ea7n \u0110\u1ee9c D\u0169ng<\/td><td class=\"column-3\">Narrating women in relation to the fate of the realm, morality, and religion in Vi\u1ec7t \u0111i\u1ec7n u linh t\u1eadp and L\u0129nh Nam ch\u00edch qu\u00e1i l\u1ee5c<\/td>\n<\/tr>\n<tr class=\"row-49\">\n\t<td class=\"column-1\">48<\/td><td class=\"column-2\">Tribuana sari<\/td><td class=\"column-3\">Politics and Literature: Contesting Power and Imagining Indonesian Futures in Chudori\u2019s Laut Bercerita (2017)<\/td>\n<\/tr>\n<tr class=\"row-50\">\n\t<td class=\"column-1\">49<\/td><td class=\"column-2\">Vae Dadia<\/td><td class=\"column-3\">Reclamation and the \u201cAnti-Archipelagic\u201d State in Rachel Heng\u2019s The Great Reclamation<\/td>\n<\/tr>\n<tr class=\"row-51\">\n\t<td class=\"column-1\">50<\/td><td class=\"column-2\">Valentinus Hari Gunawan<\/td><td class=\"column-3\">Ambivalent Post-Colonial Experiences in Mochtar Lubis\u2019 Jalan Tak Ada Ujung<\/td>\n<\/tr>\n<tr class=\"row-52\">\n\t<td class=\"column-1\">51<\/td><td class=\"column-2\">Wigati Yektiningtyas, Raymond Fatubun, Meggy Merlin Mokay<\/td><td class=\"column-3\">Sentani Folklore: A Reflection of Power Relations and Politics<\/td>\n<\/tr>\n<tr class=\"row-53\">\n\t<td class=\"column-1\">52<\/td><td class=\"column-2\">Yoseph Bavo Agung Prasaja, Idiyatmo Ekoputro<\/td><td class=\"column-3\">Digital Preservation of The Pegon Manuscript Kitab Ambyo through Latin Transliteration<\/td>\n<\/tr>\n<tr class=\"row-54\">\n\t<td class=\"column-1\">53<\/td><td class=\"column-2\">Yuyun Kusdianto, Warto, Sri Kusumo Habsari, Dwi Susanto<\/td><td class=\"column-3\">Javanese Spiritual-Political Mentality, Literary Imagination, and the Limits of Change in the Longue Dur\u00e9e<\/td>\n<\/tr>\n<tr class=\"row-55\">\n\t<td class=\"column-1\">54<\/td><td class=\"column-2\">Zita Rarastesa<\/td><td class=\"column-3\">Desiring Otherwise: Economic Agency and Gendered Respectability in Ratih Kumala\u2019s Gadis Kretek<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-1ec0a38 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"1ec0a38\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-65db18a\" data-id=\"65db18a\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-b645599 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"b645599\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-5bdd9fb elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"5bdd9fb\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-531fcb5\" data-id=\"531fcb5\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-15bcac3 elementor-widget elementor-widget-spacer\" data-id=\"15bcac3\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>LSC 2026 Accepted Titles We are happy to announce the accepted titles to present on the conference days. \ud83d\ude42\u00a0<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-57778","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>LSC 2026 Accepted Titles - Literary Studies Conference (LSC)<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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