{"id":84032,"date":"2026-08-06T04:25:40","date_gmt":"2026-08-06T04:25:40","guid":{"rendered":"https:\/\/lscusd.id\/?page_id=84032"},"modified":"2026-08-06T04:41:04","modified_gmt":"2026-08-06T04:41:04","slug":"lsc-14-accepted-abstracts","status":"publish","type":"page","link":"https:\/\/lscusd.id\/index.php\/lsc-14-accepted-abstracts\/","title":{"rendered":"LSC 14 Accepted Abstracts"},"content":{"rendered":"\t\t
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No<\/th>Name<\/th>Abstract Titles<\/th>\n<\/tr>\n<\/thead>\n
1<\/td>Adrian Lee, John Jay L. Morido<\/td>Stages of Sovereignty: Local Worldviews, Decolonial Storytelling, and Regional Identity in Mindanaoan Written Drama<\/td>\n<\/tr>\n
2<\/td>Aldrin E. Manalastas, MA<\/td>The Aesthetics of Pagkawala in Lualhati Bautista\u2019s \u201cLea\u2019s Story\u201d (Bata, Bata\u2026 Pa\u2019no ka Ginawa? 1988)<\/td>\n<\/tr>\n
3<\/td>Anna Maria, Purwanti Kusumaningtyas<\/td>Fallible Narrators in ‘Rahasia Pak Dwija’ and ‘Tukang Cukur’<\/td>\n<\/tr>\n
4<\/td>Ari J. Adipurwawidjana<\/td>Beyond the State: The Asia Africa Conference in Richard Wright\u2019s The Color Curtain<\/td>\n<\/tr>\n
5<\/td>Arina Isti’anah, Arlisya Kannitha Ramasyachri, Fortuna Devi Gunputri <\/td>Contesting Presidential Power: Impoliteness Strategies in YouTube Comments on the Indonesian President\u2019s Speeches <\/td>\n<\/tr>\n
7<\/td>Arnoldus Janssen Ledo, Dewi Widyastuti, M.Hum., Ph.D.<\/td>Micro-Politics in Student-Written Flash Fiction<\/td>\n<\/tr>\n
8<\/td>Boy Ertanto<\/td>And Now Reads the Machine: Questioning Extremism and its Derivatives in Mahsun\u2019s \u201cWhat the Andromaid Reads at Night\u201d<\/td>\n<\/tr>\n
9<\/td>Donny Syofyan<\/td>Negotiating Custom and Power: Reclaiming the Minangkabau Literary Imagination Against Authoritarian Populism<\/td>\n<\/tr>\n
10<\/td>Dr. Lestari Manggong, M.A. <\/td>The American Mosaic: Space, Simulation, and the Populist Voice
\nContesting the Democratic Ideal: Populism in the Trump Era through Walt Whitman\u2019s Poetic Lens<\/td>\n<\/tr>\n
11<\/td>Dwi Firli Ashari<\/td>Queering Eriko: Trans Identity, Lexical Politics, and Paratextual Framing in Two Indonesian Retranslations of Banana Yoshimoto\u2019s Kitchen<\/td>\n<\/tr>\n
12<\/td>Eisha Umayan, Karin N. Olmedo<\/td>Frames of Power: Cinematic Memory, Ideology, and the Vietnam War in Asian and Western Film Narratives<\/td>\n<\/tr>\n
13<\/td>Elisha Camille B. Catimpo<\/td>The Gutters and Margins: Negotiating the Present and Future Politics of Space in and for Filipino Komiks<\/td>\n<\/tr>\n
14<\/td>Esther Deborah Kalauserang<\/td>Rethinking Kartini to Present Day: Female Objectification through Perpetuation of Javanese Gender Stereotypes as a Form of Symbolic Violence in Indonesian Higher Education<\/td>\n<\/tr>\n
15<\/td>Fika Fauziah<\/td>Negotiating Patriarchal Power through Education : A comparative Study of I am Malala and Panggil Aku Kartini Saja<\/td>\n<\/tr>\n
16<\/td>Gabriel Ephifanio Suwanto <\/td>Political Awareness in Fictional Digital Journalism: A Lexical Analysis of ‘The Radical’ News Agency as a Libertarian-Left Archetype in Torpor\u2019s Games Suzerain<\/td>\n<\/tr>\n
17<\/td>Gil D. Buglosa, Prof. Regie P. Amamio, PhD<\/td>Rituals of Resistance: Folk Magic, Cultural Survival, and Political Imaginaries in Sultan Kudarat, Philippines<\/td>\n<\/tr>\n
18<\/td>Henrikus Joko Yulianto, M.Hum., Ph.D<\/td>Material Agency as Political Entanglement in Contemporary Southeast Asian Poems of Afrizal Malna and Luis H. Francia<\/td>\n<\/tr>\n
19<\/td>Hope Sabanpan Yu<\/td>Literature against Erasure: Colonial Injustice, Counterinsurgency, and Memory in Southeast Asia<\/td>\n<\/tr>\n
20<\/td>Hope Sabanpan Yu , Raphael Dean Polinar<\/td>From Colonial Student to Postcolonial Elite: Failed Modernities in Kartodikromo and Rosca<\/td>\n<\/tr>\n
21<\/td>Iriano Yedija Petrus Awom<\/td>Becoming Imperceptible as a Means to Experience Freedom in Papua: Reading Hidden Transcripts from Black Brothers to Contemporary Papuan Music<\/td>\n<\/tr>\n
22<\/td>Ivan Emil A. Labayne<\/td>Displacements and Movements, From Slums to Forests: Reading Glenn Diaz\u2019s Y\u00f1iga<\/td>\n<\/tr>\n
23<\/td>Jan Raen Carlo M. Ledesma <\/td>An Exploration of the Postcolonial Concept of White Love in Rony V. Diaz\u2019s \u201cThe President of the Tribe\u201d and Lina Espina-Moore\u2019s \u201cSam-It and the Loom\u201d <\/td>\n<\/tr>\n
24<\/td>Jessa A. Amarille<\/td>The Philippine Pastiche: The American Colonial Period and Martial Law in Gina Apostol\u2019s Insurrecto and La Tercera<\/td>\n<\/tr>\n
25<\/td>Jhomarie M. Sevilla, Joveth Jay Dafilmoto Monta\u00f1a<\/td>Memory in Motion: Inland Sama Oral Traditions, Ritual Performance, and the Politics of Cultural Survival in General Santos City, Philippines<\/td>\n<\/tr>\n
26<\/td>Kristoffer Von Pierre P. Peralta, Ma. Luz J. Nakai<\/td>In Between Worlds: Hybridity and Resistance of Liminal Characters in Philippine Speculative Fiction<\/td>\n<\/tr>\n
27<\/td>Laudi Kayluna Maisha<\/td>The American Mosaic: Space, Simulation, and the Populist Voice
\nThe Economy of Spaces in DeLillo’s Americana, White Noise, and Zero K<\/td>\n<\/tr>\n
28<\/td>Ma. Eloisa D. Sevilla-Perez<\/td>Political Violence and Cultural Trauma in Southeast Asian Novels<\/td>\n<\/tr>\n
29<\/td>Maria Gita Samadya<\/td>The American Mosaic: Space, Simulation, and the Populist Voice
\nFrom Canon to Fanon: Exploring The Simulacra of South Park Fanfiction<\/td>\n<\/tr>\n
30<\/td>Mark Louie Tabunan<\/td>Resistant Kapwa Aesthetics and Eileen Tabios\u2019s DoveLion: A Fairy-Tale for Our Times<\/td>\n<\/tr>\n
31<\/td>Nadja Jessevin Threaquino Sukma, Harris Hermansyah Setiajid<\/td>Deforming Tendencies and the Politics of Desire in the English Translation of Utami\u2019s Saman<\/td>\n<\/tr>\n
32<\/td>Natalia dos Santos Soares<\/td>Hybrid Timorese Identity in Lu\u00eds Cardoso’s Chronicle of a Crossing: A Postcolonial Reading through Homi K. Bhabha’s Concept of Hybridity.<\/td>\n<\/tr>\n
33<\/td>Ni Komang Arie Suwastini, I Nyoman Pasek Hadisaputra, Ni Nyoman Artini, I Gusti Agung Sri Rwa Jayantini<\/td>Beyond Escapism: Fantasy, Moral Agency, and the Reimagining of Justice in C. S. Lewis\u2019s The Chronicles of Narnia<\/td>\n<\/tr>\n
34<\/td>Pham Thi To Thy<\/td>Reimagining Literary Space through the Qu\u1ed1c Ng\u1eef Press and Western Literary Adaptation in Colonial Southern Vietnam (Late Nineteenth\u2013Early Twentieth Centuries)<\/td>\n<\/tr>\n
35<\/td>Qu\u1ef3nh Trang, Ho\u00e0ng Th\u1ecb<\/td>Sexuality as a Mode of Self-Affirmation in the Works of Nguyen Quang Lap<\/td>\n<\/tr>\n
36<\/td>Reimundus Raymond Fatubun, Wigati Yektiningtyas<\/td>“All Animals Are Equal, But Some Are More Equal”: Orwell\u2019s Animal Farm as a Critical Metaphor for Democratic Erosion in Indonesia\u2019s Post-Reformasi <\/td>\n<\/tr>\n
37<\/td>Rene Boy E. Abiva<\/td>\u201cHindi sa Hating-Gabi, Sa Bukang- Liwayway\u201d: Reexamining Suor Clara Through Foucault\u2019s Docile Body Theory<\/td>\n<\/tr>\n
38<\/td>Rezza Ferl M. Salaysay, Karin N. Olmedo<\/td>Screens of Sovereignty: Cinematic Memory, Indigenous Resistance, and the Politics of Representation in Philippine Films<\/td>\n<\/tr>\n
39<\/td>Rifka Alif Rahmasari<\/td>Narrating Power through Religion and Family: Narrative Strategies and Everyday Resistance in Eka Kurniawan’s Anjing Mengeong Kucing Menggonggong<\/td>\n<\/tr>\n
40<\/td>Rvie M. Santillan<\/td>Ang Mga Salida sa Sagay: Sagaynon Counter-memory Narratives in Margaha Film Festival Entries From 2020-2024<\/td>\n<\/tr>\n
41<\/td>Sistiadinita, M.Litt.<\/td>Translation, Digitalization, and Ecocritical Analysis of West Kalimantan Folklore for Preserving Human- Nature Relationship Values<\/td>\n<\/tr>\n
42<\/td>Stanislaus Bayu Kusuma Wardhana, Valentinus Hari Gunawan<\/td>On the Question of Authority and the Spectre of Authoritarianism in Mochtar Lubis\u2019 Harimau! Harimau!<\/td>\n<\/tr>\n
43<\/td>Stanislaus Jovi Ferdinand, Tranggono Saktiaji Pratomo, Ouda Teda Ena<\/td>A Comparative Appraisal Analysis of Technology Representation in Short Stories by Generation Z Authors<\/td>\n<\/tr>\n
44<\/td>Tammy Angeline S. Macalma<\/td>Exploring Ibuism in Eka Kurniawan\u2019s Man Tiger (2004)<\/td>\n<\/tr>\n
45<\/td>Tan Michael Chandra<\/td>From Criticism to Algorithmic Compliance: Imagining the Future of Dissent in Andina Dwifatma’s Linus Damono and Ken Liu’s The Perfect Match<\/td>\n<\/tr>\n
46<\/td>Tr\u1ea7n \u0110\u1ee9c D\u0169ng<\/td>Narrating women in relation to the fate of the realm, morality, and religion in Vi\u1ec7t \u0111i\u1ec7n u linh t\u1eadp and L\u0129nh Nam ch\u00edch qu\u00e1i l\u1ee5c<\/td>\n<\/tr>\n
47<\/td>Tribuana sari<\/td>Politics and Literature: Contesting Power and Imagining Indonesian Futures in Chudori\u2019s Laut Bercerita (2017)<\/td>\n<\/tr>\n
48<\/td>Vae Dadia<\/td>Reclamation and the \u201cAnti-Archipelagic\u201d State in Rachel Heng\u2019s The Great Reclamation<\/td>\n<\/tr>\n
49<\/td>Valentinus Hari Gunawan<\/td>AMBIVALENT POST-COLONIAL EXPERIENCES IN MOCHTAR LUBIS\u2019 JALAN TAK ADA UJUNG <\/td>\n<\/tr>\n
50<\/td>Wigati Yektiningtyas, Raymond Fatubun, Meggy Merlin Mokay<\/td>SENTANI FOLKLORE: A REFLECTION OF POWER RELATIONS AND POLITICS<\/td>\n<\/tr>\n
51<\/td>Yoseph Bavo Agung Prasaja, Idiyatmo Ekoputro<\/td>DIGITAL PRESERVATION OF THE PEGON MANUSCRIPT KITAB AMBYO THROUGH LATIN TRANSLITERATION<\/td>\n<\/tr>\n
52<\/td>Yuyun Kusdianto, Warto, Sri Kusumo Habsari, Dwi Susanto<\/td>Javanese Spiritual-Political Mentality, Literary Imagination, and the Limits of Change in the Longue Dur\u00e9e<\/td>\n<\/tr>\n
53<\/td>Zita Rarastesa<\/td>Desiring Otherwise: Economic Agency and Gendered Respectability in Ratih Kumala\u2019s Gadis Kretek<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/p>

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